Metaphor and Continental Philosophy: From Kant to Derrida: Routledge Studies in Twentieth-Century Philosophy
Autor Clive Cazeauxen Limba Engleză Hardback – 24 sep 2007
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Specificații
ISBN-13: 9780415324007
ISBN-10: 0415324009
Pagini: 240
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Twentieth-Century Philosophy
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415324009
Pagini: 240
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Twentieth-Century Philosophy
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and ProfessionalCuprins
Acknowledgments
Introduction
3. Sensation, categorization and embodiment: Locke, Merleau-Ponty, and Lakoff and Johnson.
4. Heidegger and the senses
5. Conflicting perspectives: epistemology and ontology in Nietzsche’s will to power
6. Cutting nature at the joints: metaphor and epistemology in the science wars
7. Opening and belonging: between subject and object in Heidegger and Bachelard
8. Metaphor and metaphysics in Heidegger, Ricoeur and Derrida
Notes
Bibliography
Index
Introduction
- Kant and Heidegger on the creation of objectivity
3. Sensation, categorization and embodiment: Locke, Merleau-Ponty, and Lakoff and Johnson.
4. Heidegger and the senses
5. Conflicting perspectives: epistemology and ontology in Nietzsche’s will to power
6. Cutting nature at the joints: metaphor and epistemology in the science wars
7. Opening and belonging: between subject and object in Heidegger and Bachelard
8. Metaphor and metaphysics in Heidegger, Ricoeur and Derrida
Notes
Bibliography
Index
Notă biografică
Clive Cazeaux is Reader in Aesthetics at the University of Wales Institute, Cardiff. He is the editor of The Continental Aesthetics Reader (Routledge, 2000), and the author of articles on metaphor, phenomenological aesthetics, and the relation between art and knowledge.
Descriere
This book examines the relationship between metaphor, art and science against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty.