Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets
Autor Linda A. Kinnahanen Limba Engleză Hardback – 14 mar 2017
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Specificații
ISBN-13: 9781472489197
ISBN-10: 1472489195
Pagini: 296
Ilustrații: 24 Halftones, black and white; 24 Illustrations, black and white
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.57 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1472489195
Pagini: 296
Ilustrații: 24 Halftones, black and white; 24 Illustrations, black and white
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.57 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
List of figures
Acknowledgements
Introduction
1 Loy among the photographers: poetry, perception, and the camera
2 Surrealism and the female body: economies of violence
3 Portraits of the poor: the Bowery poems and the rise of documentary photography
4 From patriotism to atrocity: the war poems and photojournalism
5 Gendering the camera: Kathleen Fraser and Caroline Bergvall
Bibliography
Index
Acknowledgements
Introduction
1 Loy among the photographers: poetry, perception, and the camera
2 Surrealism and the female body: economies of violence
3 Portraits of the poor: the Bowery poems and the rise of documentary photography
4 From patriotism to atrocity: the war poems and photojournalism
5 Gendering the camera: Kathleen Fraser and Caroline Bergvall
Bibliography
Index
Notă biografică
Linda A. Kinnahan is Hillman Distinguished Professor at Duquesne University, USA.
Descriere
In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relationship to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet but also the shaping impact of photography and new technologies of vision upon modernist poetics.