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Mirrors: Stories of Almost Everyone

Autor Eduardo Galeano
en Limba Engleză Paperback – 27 sep 2010 – vârsta de la 13 ani
Throughout his career, Eduardo Galeano has turned our understanding of history and reality on its head. Isabelle Allende said his works “invade the reader's mind, to persuade him or her to surrender to the charm of his writing and power of his idealism.”Mirrors, Galeano's most ambitious project sinceMemory of Fire, is an unofficial history of the world seen through history's unseen, unheard, and forgotten. As Galeano notes: “Official history has it that Vasco Núñez de Balboa was the first man to see, from a summit in Panama, the two oceans at once. Were the people who lived there blind??”
Recalling the lives of artists, writers, gods, and visionaries, from the Garden of Eden to twenty-first-century New York, of the black slaves who built the White House and the women erased by men's fears, and told in hundreds of kaleidoscopic vignettes,Mirrorsis a magic mosaic of our humanity.
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Specificații

ISBN-13: 9781568586120
ISBN-10: 1568586124
Pagini: 400
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.46 kg
Ediția:First Trade Paper Edition
Editura: PublicAffairs
Colecția Bold Type Books

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Recenzii

'Brightly coloured commonplace book of a kind that was once popular in our culture but has now almost disappeared - The beauty of Galeano's book lies not just in the eclectic choice of stories he tells, but more especially in his elegant, pared-down prose, sensitively translated by Mark Fried, with never an unnecessary word, nor one out of place - Galeano's book is pure delight - a cornucopia of wonderful stories. It should be by everyone's bedside - and in every Christmas stocking' Richard Gott, Guardian (28/11/09) 'Galeano charts the rise and fall of civilisations with compassion and wry humour - [He is] an enchanting interpreter of history and its resonances, and a poetic voice of political dissent' Siobhan Murphy, Metro (26/11/09) 'In his most ambitious work since Memory of Fire Uruguayan author Eduardo Galeano retells the history of the world from the point of view of the powerless, the voiceless and the dispossessed. As in Memory of Fire, he presents his story as a series of short vignettes, one longer than a page and most a good deal shorter; their cumulative effect is shattering' London Review of Books (03/12/09)