Missa Sanctae Margaretae: New Horizons
Compozitor Gabriel Jacksonen Limba Engleză Sheet music – 19 mai 2011
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Specificații
ISBN-13: 9780193377554
ISBN-10: 0193377551
Pagini: 32
Dimensiuni: 210 x 298 x 3 mm
Greutate: 0.12 kg
Ediția:Vocal score
Editura: OUP OXFORD
Colecția OUP Oxford
Seria New Horizons
Locul publicării:OXFORD, United Kingdom
ISBN-10: 0193377551
Pagini: 32
Dimensiuni: 210 x 298 x 3 mm
Greutate: 0.12 kg
Ediția:Vocal score
Editura: OUP OXFORD
Colecția OUP Oxford
Seria New Horizons
Locul publicării:OXFORD, United Kingdom
Recenzii
Gabriel Jackson's St Margaret Mass makes its point economically and fluently. Missa Sanctae Margaretae is a gift for Sunday mornings, lasting twelve minutes in toto, yet never sounding lightweight or perfunctory. No idea outstays its welcome, and the blissfully short Sanctus (including Benedictus) is a masterpiece of effective brevity.
Gabriel Jackson's Missa Sanctae Margaretae is aimed at competent parish choirs and really hits the spot. By writing choral parts that often have elements in common, Jackson provides less musical material to learn than may be apparent to the listener. Singers will also enjoy the lyrical lines, supple rhythms and radiant harmonies. The organ part (which requires a fairly proficient player) cleverly supports and complements the vocal lines while establishing structure and order. The variety and contrast between celebration and meditation should appeal to choirs and congregations alike.
Admirers of Jackson's warm, added-note harmonies and rhythmically supple vocal lines will find much to enjoy. Scored for SATB voices and organ, it falls well within the compass of many parish and college choirs.
Jackson adopts a simpler compositional style in Missa Sanctae Margaretae, with easier melodic and harmonic writing. This is liturgical music, written for use by any choir of modest ability. It still manages to articulate realize the pleas for mercy in the Kyrie and Agnus Dei, the joyful affirmations of the Gloria, as well as the mystical implications of the Sanctus. The writing is never less interesting for the adoption of this simpler style.
Gabriel Jackson's Missa Sanctae Margaretae is aimed at competent parish choirs and really hits the spot. By writing choral parts that often have elements in common, Jackson provides less musical material to learn than may be apparent to the listener. Singers will also enjoy the lyrical lines, supple rhythms and radiant harmonies. The organ part (which requires a fairly proficient player) cleverly supports and complements the vocal lines while establishing structure and order. The variety and contrast between celebration and meditation should appeal to choirs and congregations alike.
Admirers of Jackson's warm, added-note harmonies and rhythmically supple vocal lines will find much to enjoy. Scored for SATB voices and organ, it falls well within the compass of many parish and college choirs.
Jackson adopts a simpler compositional style in Missa Sanctae Margaretae, with easier melodic and harmonic writing. This is liturgical music, written for use by any choir of modest ability. It still manages to articulate realize the pleas for mercy in the Kyrie and Agnus Dei, the joyful affirmations of the Gloria, as well as the mystical implications of the Sanctus. The writing is never less interesting for the adoption of this simpler style.
Notă biografică
One of Britain's foremost composers, after three years as a chorister at Canterbury Cathedral, Gabriel Jackson went on to study composition with Richard Blackford and John Lambert at the Royal College of Music. Particularly acclaimed for his choral works, his liturgical pieces are in the repertoires of most of Britain's cathedral and collegiate choirs and he is a frequent collaborator with the leading professional groups of the world. From 2010-2013 he was Associate Composer to the BBC Singers. In 2014 his hour-long The Passion of our Lord Jesus Christ, commissioned for the 750th anniversary of Merton College, Oxford, was premiered in its chapel. May 2015 saw the premiere at the Latvian National Opera of Spring Rounds for soprano, choir and orchestra, commissioned by the Riga-based youth choir Kamer for their 25th anniversary. He was recently commissioned by The Marian Consort to write Stabat Mater to mark their 10th anniversary.