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Modern Fashion Traditions: Negotiating Tradition and Modernity through Fashion: Dress and Fashion Research

Editat de M. Angela Jansen, Jennifer Craik
en Limba Engleză Hardback – 27 iul 2016
Modern Fashion Traditions questions the dynamics of fashion systems and spaces of consumption outside the West. Too often, these fashion systems are studied as a mere and recent result of globalization and Western fashion influences, but this book draws on a wide range of non-Western case studies and analyses their similarities and differences as legitimate fashion systems, contesting Eurocentric notions of tradition and modernity, continuity versus change, and 'the West versus the Rest'. Preconceptions about non-Western fashion are challenged through diverse case studies from international scholars, including street-style identity in Bhutan, the influence of Ottoman cultural heritage on contemporary Turkish fashion design, and an investigation into the origins of the word 'fashion' in Chinese. Negotiating tradition, foreign influences and the contemporary global dominance of Western fashion cities, Modern Fashion Traditions will give readers a clearer understanding of non-Western fashion identities in the present. Accessibly written, this ground-breaking text makes an essential contribution to the study of non-Western fashion and will be an important resource for students of fashion history and theory, anthropology, and cultural studies.
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Specificații

ISBN-13: 9781474229494
ISBN-10: 1474229492
Pagini: 256
Ilustrații: 23 bw illus
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Dress and Fashion Research

Locul publicării:London, United Kingdom

Caracteristici

Non-Western fashion is an important area of study that is gaining popularity throughout the world. This book considers different fashion systems from a broad geographical range of non-Western regions, pointing out similarities and differences

Notă biografică

M. Angela Jansen is an independent fashion anthropologist based in Brussels, Belgium. Her publications include Moroccan Fashion: Design, Tradition and Modernity (Bloomsbury, 2014). Jennifer Craik is professor and head of the Fashion Discipline at Queensland University of Technology, Australia. Her publications include Uniforms Exposed: From Conformity to Transgression (Berg, 2005) and Fashion: The Key Concepts (Berg, 2009).

Cuprins

1. Introduction M. Angela Jansen, London College of Fashion, UK, and Jennifer Craik, Queensland University of Technology, AustraliaPART I: FASHION HISTORY REVISED2. Neither East nor West: Japanese Fashion in ModernityToby Slade, University of Tokyo, Japan3. 'Fashion' in the Chinese Context Christine Tsui, University of Hong Kong, ChinaPART II: THE COMMODIFICATION OF CULTURAL HERITAGE4. Being Fashionable in India in the Globalisation Era: Holy Writing on GarmentsJanaki Turaga, Independent Researcher, India5. Exotic Narratives in Fashion: The Impact of Motifs of Exotica on Fashion Design and Fashionable IdentitiesJennifer Craik, Queensland University of Technology, AustraliaPART III: SELF-ORIENTALISM OR NATION BRANDING?6. Ottoman Costume in the Context of Modern Turkish Fashion DesignS¸akir Özüdog?ru, Anadolu University, Turkey 7. Beldi Sells: The Commodification of Moroccan FashionM. Angela Jansen, London College of Fashion, UKPART IV: LOCAL CONSTRUCTS OF THE GLOBAL8. History, Art, and Plastic Bags: Viewing South Africa Through Fashion Victoria L. Rovine, University of North Carolina at Chapel Hill, USA9. Constructing Fashionable Dress and Identity in BhutanEmma Dick, Middlesex University, UKPART V: CONCLUSION10. Afterword: Fashion's FallacySandra Niessen, Independent Anthropologist, The NetherlandsIndex

Recenzii

From Indian dresses adorned with holy writing to youth fashion blogs in Bhutan, from the modern re-evaluation of Ottoman costumes to the role of plastic bags in South African art and design, Modern Fashion Traditions examines fashion cultures in non-Western regions, many of which are newcomers to studies of fashion and dress. This is a lively, important, and illuminative collection for any student interested in non-Western cultures, particularly South, South East, and Far East Asian and African regions.