Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978-2000
Autor Dr Samantha Bennetten Limba Engleză Paperback – 26 dec 2018
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Specificații
ISBN-13: 9781501344091
ISBN-10: 1501344099
Pagini: 256
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501344099
Pagini: 256
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Features brand-new insights on music recording and production technologies and processes during a classic yet understudied era in popular music history
Notă biografică
Samantha Bennett is Associate Professor of Music at the Australian National University. She is the author of Siouxsie and the Banshees' Peepshow (2018), part of Bloomsbury's 33 1/3 series, and co-editor of Critical Approaches to the Production of Music and Sound (2018) and Popular Music, Stars and Stardom (2018). Her journal articles are published in Popular Music, Popular Music and Society, The Journal of Popular Music Studies and IASPM@journal.
Cuprins
List of Tables and DiagramsAcknowledgements1. Introduction2. Constructing Records: Sound Recording and Production Technology in the Early 1980s3. The Sound of Technology: Machines and Formats that Transformed Mid-late 1980s Popular Music4. Technological Hybridity: Conflations of Analogue, Digital, the Cutting Edge and the Vintage in the 1990s5. Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production6. Sound Recordists in Flux: The Diversification of the Recording and Production Role7. Sound Minds: Mapping Recordists' Attitudes8. Analyzing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology9. ConclusionRecords CitedBibliographyFilmography
Recenzii
Bennett provides loads of details and analysis in her diverse linkage of process, technology, and the people whose maverick methods sought to combine and overlay analogue and digital technologies ... A valuable book for musicians, fans, and scholars. It is an interesting read for others as well.
In this deeply researched study of commercial popular music production in the 1980s and '90s, Samantha Bennett turns the digital vs. analog debate on its head, revealing the hybrid "maverick methods" recordists developed as they blended technologies and practices from both analog and digital domains in a rapidly changing studio environment. Rich in technical detail and musical analysis, the book nevertheless underscores the human element of record-making as recordists' choices and attitudes influenced the sound of the "modern records" they produced.
In Modern Records, Maverick Methods, Sam Bennett not only provides a hugely detailed study of the linking technologies and methods that characterise the two decades between the 'golden age' of rock recording in the 1960s/70s and the current world of the DAW, she also provides a fascinating analysis of the tortured and complex process through which attitudes to recording technologies both developed and changed. This is an important and welcome addition to the literature.
Modern Records begins with a simple question: "How are recordings made and why do they sound the way they do?" The answers to that question take Bennett deep into the processes of recording and are as fascinating and diverse, profound and fun as the music itself. Process, technology, sound and music are at the heart of this study and the strength of Bennett's approach is how she links them together - an illuminating read for musicians, fans and scholars alike.
In this deeply researched study of commercial popular music production in the 1980s and '90s, Samantha Bennett turns the digital vs. analog debate on its head, revealing the hybrid "maverick methods" recordists developed as they blended technologies and practices from both analog and digital domains in a rapidly changing studio environment. Rich in technical detail and musical analysis, the book nevertheless underscores the human element of record-making as recordists' choices and attitudes influenced the sound of the "modern records" they produced.
In Modern Records, Maverick Methods, Sam Bennett not only provides a hugely detailed study of the linking technologies and methods that characterise the two decades between the 'golden age' of rock recording in the 1960s/70s and the current world of the DAW, she also provides a fascinating analysis of the tortured and complex process through which attitudes to recording technologies both developed and changed. This is an important and welcome addition to the literature.
Modern Records begins with a simple question: "How are recordings made and why do they sound the way they do?" The answers to that question take Bennett deep into the processes of recording and are as fascinating and diverse, profound and fun as the music itself. Process, technology, sound and music are at the heart of this study and the strength of Bennett's approach is how she links them together - an illuminating read for musicians, fans and scholars alike.