Modernism and Mimesis
Autor Stephen D. Dowdenen Limba Engleză Paperback – 28 sep 2021
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
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Specificații
ISBN-13: 9783030531362
ISBN-10: 3030531368
Pagini: 283
Ilustrații: IX, 283 p. 9 illus., 8 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.39 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030531368
Pagini: 283
Ilustrații: IX, 283 p. 9 illus., 8 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.39 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Chapter 1: Uneasy Modernism.- 2. Chapter 2: Novelistic Style and the Disappearance of Breakfast.- 3. Chapter 3: Painting the World Picture.- 4. Chapter 4: Music as Natural Magic.- 5. Chapter 5: The Gift of Babel.
Recenzii
“Modernism and Mimesis boldly reassesses the massively overused term »modernism. «What is more–because this is not merely a terminological debate–Dowden seeks in this study to elucidate the thing itself. Wide-ranging in its purview, this ambitious book examines not only literature, but painting and music as well.” (Georg Mein/Rolf Parr/William Collins Donahue, andererseits – Yearbook of Transatlantic German Studies, Issue (11-12), 2022-2023)
“Modernism and Mimesis is a major study that reclaims literary modernism from abstruse erudition and places it squarely within an egalitarian framework of aesthetic play. … Dowden’s passion to ground the significance of art and to justify its distinctive epistemology is worthy of careful consideration. … Modernism and Mimesis passionately recommends modernism to its readers as the kind of art most likely to produce insight and enlightenment in the modern age. This is thus a work of advocacy, not just dispassionate academic elucidation.” (William Collins Donahue, LA Review of Books, lareviewofbooks.org, January 5, 2023)
“Modernism and Mimesis is a major study that reclaims literary modernism from abstruse erudition and places it squarely within an egalitarian framework of aesthetic play. … Dowden’s passion to ground the significance of art and to justify its distinctive epistemology is worthy of careful consideration. … Modernism and Mimesis passionately recommends modernism to its readers as the kind of art most likely to produce insight and enlightenment in the modern age. This is thus a work of advocacy, not just dispassionate academic elucidation.” (William Collins Donahue, LA Review of Books, lareviewofbooks.org, January 5, 2023)
Notă biografică
Stephen D. Dowden is Professor of German Language and Literature at Brandeis University in Waltham, Massachusetts, USA.
Textul de pe ultima copertă
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
Caracteristici
First book to undertake unifying reassessment of modernist fiction, painting, music, and poetry. Offers a new way to think about the nature of mimesis in modernist production. Reorganizes the modernist canon.