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Modes of Viewing in Hellenistic Poetry and Art: Wisconsin Studies in Classics

Autor Graham Zanker
en Limba Engleză Hardback – 15 dec 2003
Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences.
    Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.
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Specificații

ISBN-13: 9780299194505
ISBN-10: 0299194507
Pagini: 248
Dimensiuni: 203 x 254 x 20 mm
Greutate: 0.48 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Studies in Classics


Recenzii

“No other book currently exists that so systematically attempts to unite evidence from art and poetry to construct a Hellenistic ‘mode of viewing.’ The originality of the work lies in the way it brings together material that is usually discussed in isolation.”—Alexander Sens, Georgetown University

Notă biografică

Graham Zanker is professor of Classics at the University of Canterbury in New Zealand. He is the author of The Heart of Achilles and Realism in Alexandrian Poetry.

Descriere

Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences.
    Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.