The Image of the Poet in Ovid’s Metamorphoses: Wisconsin Studies in Classics
Autor Barbara Pavlocken Limba Engleză Hardback – 14 apr 2009
Barbara Pavlock unmasks major figures in Ovid’s Metamorphoses as surrogates for his narrative persona, highlighting the conflicted revisionist nature of the Metamorphoses. Although Ovid ostensibly validates traditional customs and institutions, instability is in fact a defining feature of both the core epic values and his own poetics.
The Image of the Poet explores issues central to Ovid’s poetics—the status of the image, the generation of plots, repetition, opposition between refined and inflated epic style, the reliability of the narrative voice, and the interrelation of rhetoric and poetry. The work explores the constructed author and complements recent criticism focusing on the reader in the text.
2009 Outstanding Academic Title, Choice MagazineThe Image of the Poet explores issues central to Ovid’s poetics—the status of the image, the generation of plots, repetition, opposition between refined and inflated epic style, the reliability of the narrative voice, and the interrelation of rhetoric and poetry. The work explores the constructed author and complements recent criticism focusing on the reader in the text.
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Specificații
ISBN-13: 9780299231408
ISBN-10: 0299231402
Pagini: 208
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.43 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Studies in Classics
ISBN-10: 0299231402
Pagini: 208
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.43 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Studies in Classics
Recenzii
“The poet Ovid hiding behind famous figures from his Metamorphoses, be it a Narcissus or a Daedalus—this is a fascinating notion and one of particular interest to modern readers.”—Niklas Holzberg, University of Munich
“This engaging book explores the metapoetic relationship between Ovid and his characters, ranging from paradigmatic artists, such as Orpheus and Daedalus to more unusual ciphers for the poet’s voice, such as Ulysses and even Medea.”—Alison Sharrock, University of Manchester
Notă biografică
Barbara Pavlock is associate professor of classics at Lehigh University and author of Eros, Imitation, and the Epic Tradition.
Cuprins
Acknowledgments
Introduction
1. Narcissus and Elegy
2. The Metamorphic Medea
3. Daedalus and the Labyrinth of the Metamorphoses
4. Orpheus and the Internal Narrator
5. Ulysses and the Arms of Achilles
Conclusion
Notes
Bibliography
Index
Introduction
1. Narcissus and Elegy
2. The Metamorphic Medea
3. Daedalus and the Labyrinth of the Metamorphoses
4. Orpheus and the Internal Narrator
5. Ulysses and the Arms of Achilles
Conclusion
Notes
Bibliography
Index
Descriere
Barbara Pavlock unmasks major figures in Ovid’s Metamorphoses as surrogates for his narrative persona, highlighting the conflicted revisionist nature of the Metamorphoses. Although Ovid ostensibly validates traditional customs and institutions, instability is in fact a defining feature of both the core epic values and his own poetics.