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Mongol Court Dress, Identity Formation, and Global Exchange de Eiren L. Shea

Mongol Court Dress, Identity Formation, and Global Exchange: Routledge Research in Art History

Autor Eiren L. Shea
en Limba Engleză Paperback – 13 dec 2021
The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media.
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Specificații

ISBN-13: 9781032238432
ISBN-10: 1032238437
Pagini: 206
Ilustrații: 30 Illustrations, color; 40 Illustrations, black and white
Dimensiuni: 178 x 254 x 14 mm
Greutate: 0.38 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Art History

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Notă biografică

Eiren L. Shea is Assistant Professor of Art and Art History at Grinnell College.

Cuprins

1. Felt, Leather, Silk, and Gold: On the Origins of Mongol Court Dress
2. Robing at Khubilai’s Court
3. "Pulling firmly her tall hat over her head:" Women’s Dress at the Yuan Court
4. Mongol Dress in West Asia  
5. Global Reach: The Mongols and The Latin West
Conclusion: The Mongol Legacy

Recenzii

"[Shea] concludes with an account of the impact of the importation of panni Tartarici (Tartar cloths) to Venice and other Italian city-states, and the representation of Mongol elites found in thirteenth-century Italian images. Far from seeing these as a kind of European proto-colonial discovery of the Asian other, Shea frames these images as evidence for Mongol influence on the cultures of the Mediterranean world, an important account that is often absent from the art history of the period."
--CAA Reviews

Descriere

The Mongol period (1206-1368) marked a major turning point of exchange - culturally, politically, and artistically - across Eurasia.
The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe.
This book will be of interest to scholars in art history, fashion design, and Asian studies.