"Gabriel Solis's study of Thelonious Monk's legacy energizes an important development in jazz studies. Respectful of Monk and his musical heirs, Solis nevertheless offers insights on Monk myth-building by opposing jazz camps in which both moldy figs and avant-gardists claim him as their own. Moving beyond exploding these turf battles, Solis comes to deep realizations about jazz as a practice. This will become an often-cited work, even a transformative one."--Steven F. Pond, author of "Head Hunters: The Making of Jazz's First Platinum Album" (winner of the International Association for the Study of Popular Music's Woody Guthrie Prize)