Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity
Editat de Dr. Iris Idelson-Shein, Professor Christian Wieseen Limba Engleză Paperback – 19 aug 2020
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Specificații
ISBN-13: 9781350178113
ISBN-10: 135017811X
Pagini: 288
Ilustrații: 42 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 135017811X
Pagini: 288
Ilustrații: 42 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Interdisciplinary approach encompassing Jewish history, literary studies, comparative literature, folklore, art history and the history of science
Notă biografică
Iris Idelson-Shein is Gerda Henkel Research Fellow at Goethe University Frankfurt am Main, Germany. She is the author of Difference of a Different Kind: Jewish Constructions of Race During the Long Eighteenth Century (2014). Christian Wiese holds the Martin Buber Chair in Jewish Thought and Philosophy at Goethe University Frankfurt am Main, Germany. He is the editor, together with Cornelia Wilhelm, of American Jewry: Transcending the European Experience? (Bloomsbury, 2016).
Cuprins
List of IllustrationsIntroduction: Writing a Jewish History of Horror, or What Happens When Monsters Stare Back, Iris Idelson-Shein (Goethe University Frankfurt am Main, Germany) Part I: The Monster Without: Monsters in Jewish-Christian Inter-Cultural Discourse1. Monsters, Demons and Jews in the Painting of Hieronymus Bosch, Debra Higgs Strickland (University of Glasgow, UK)2. Bestial Bodies on the Jewish Margins: Race, Ethnicity and Otherness in Medieval Manuscripts Illuminated for Jews, Marc Michael Epstein (Vassar College, USA)3. enge unpathas uncuð gelad: The Long Walk to Freedom, Asa Simon Mittman (California State University, Chico, USA) and Miriamne Ara Krummel (University of Dayton, USA)4. Demonic Entanglements: Contextualisations of Matted Hair in Medieval and Early Modern Western and Eastern Ashkenaz, François Guesnet (University College London, UK)5. A Jewish Frankenstein: Making Monsters in Modernist German Grotesques, Joela Jacobs (University of Arizona, USA)6. "Der Volf" or the Jew as Out(side of the)law, Jay Geller (Vanderbilt University, USA)7. Stranger in the House: Gender, Sex and Jewishness in Weimar Cinema's Monsters, Cathy Gelbin (University of Manchester, UK)8. Monsters in the Testimonies of Holocaust Survivors, Kobi Kabalek (University of Haifa, Israel) Part II: The Monster Within: Monsters in Jewish Intra-Communal Discourse9. Unearthing the 'Children of Cain': Between Human, Animal, and Demon in Medieval Jewish Culture, David I. Shyovitz (Northwestern University, USA)10. Sexuality and Communal Space in Stories about the Marriage of Men and She-Demons, David Rotman (Achva Academic College, Israel) 11. The Raging Rabbi: Aggression and Agency in an Early Modern Yiddish Werewolf Tale, Astrid Lembke (Freie Universität Berlin, Germany)12. Out of the Mouths of Babes and Sucklings, David B. Ruderman (University of Pennsylvania, USA)13. Sexorcism: On the Sexual Dimensions of Jewish Exorcism Techniques, J. H. Chajes (University of Haifa, Israel)14. Rabbinic Monsters: The World of Wonder and Rabbinic Writings at the Turn of the Nineteenth Century, Maoz Kahana (Tel Aviv University, Israel)15. End of the Demons?: Isaac Bashevis Singer's Reflections on the Eclipse of Demons and Monsters by Human Evil in the 20th Century, Christian Wiese (Goethe University Frankfurt am Main, Germany) Index
Recenzii
[An] excellent addition to the scholarly study of monsters . Monsters and Monstrosity in Jewish History presents an engaging, multi-sided dialogue . [This] book will be of interest to scholars of Judaism, medieval Europe, religion, film studies, art history, monster studies, and related disciplines.
An erudite and timely book. Emphasizing how the monster works within Jewish texts and images, how Jews themselves have often been made to function as monsters, and how the Jewish monster "stares back", this is a landmark work of scholarship.
Idelson-Shein and Wiese - along with the volume's many other intrepid contributors - are the field's Van Helsings: monster-hunters, who, instead of proceeding with stakes and garlic, use the tools of cutting-edge scholarship to track down the traces of Jewish monstrosity in all its protean and subtle forms, and bring them into brilliant light. An endlessly stimulating volume.
Reading the diverse collection of essays in Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity, I found myself at once educated, entertained...and alarmed. If the essays, taken together, show monsters and monstrosity to have been fluid categories over a millennium of Jewish history, they also show that the "monster" was not quite an empty signifier. Indeed, menacing monsters are today being empowered the world over by naive electorates. Despite the astounding popularity of Frankenstein and The Golem, their shared message seems unheeded: those who believe that a monster will serve its creators' interests are tragically mistaken. This is my takeaway for today, but I would be remiss were I not to emphasize that the great achievement of this volume is its demonstration that by looking at the seemingly marginal topic of monsters and monstrosity in Jewish history, central and essential features of the historical landscape are illuminated-albeit in black light!
An erudite and timely book. Emphasizing how the monster works within Jewish texts and images, how Jews themselves have often been made to function as monsters, and how the Jewish monster "stares back", this is a landmark work of scholarship.
Idelson-Shein and Wiese - along with the volume's many other intrepid contributors - are the field's Van Helsings: monster-hunters, who, instead of proceeding with stakes and garlic, use the tools of cutting-edge scholarship to track down the traces of Jewish monstrosity in all its protean and subtle forms, and bring them into brilliant light. An endlessly stimulating volume.
Reading the diverse collection of essays in Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity, I found myself at once educated, entertained...and alarmed. If the essays, taken together, show monsters and monstrosity to have been fluid categories over a millennium of Jewish history, they also show that the "monster" was not quite an empty signifier. Indeed, menacing monsters are today being empowered the world over by naive electorates. Despite the astounding popularity of Frankenstein and The Golem, their shared message seems unheeded: those who believe that a monster will serve its creators' interests are tragically mistaken. This is my takeaway for today, but I would be remiss were I not to emphasize that the great achievement of this volume is its demonstration that by looking at the seemingly marginal topic of monsters and monstrosity in Jewish history, central and essential features of the historical landscape are illuminated-albeit in black light!