Monsters, Dinosaurs, Ghosts: Modern Plays
Autor Jimmy McAleaveyen Limba Engleză Paperback – 3 iun 2015
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Specificații
ISBN-13: 9781474266802
ISBN-10: 1474266800
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474266800
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
An original take on life in Northern Ireland after the peace process, the play looks at the lives of former terrorists and wonders how, if ever, they can be rehabilitated into peace-time lifestyles
Notă biografică
Jimmy McAleavey is the author of numerous stage plays, including: Inventors (Kabosh, 2013), The Queen's Shilling (Goldin+Senneby 2013), Titans (Kabosh, 2012), Monsters, Dinosaurs (Abbey Theatre, 2011), Get Gaddafi (Tinderbox, 2011), The Sign of the Whale (Tinderbox, 2010), The Joy (and Roy) of Irish (Kabosh, 2010), The Virgin Father (Tinderbox, 2009) and Weirdwolf (Tinderbox, 2008). Awards include: Stewart Parker Major Bursary (The Sign of the Whale), shortlisted for Meyer Whitworth Award (The Sign of the Whale), shortlisted for King's Cross Theatre Award (Weirdwolf), Special Commendation Imison Award (The Ballad of Shane O'Neill), BBC Northern Lights short film award (Heroes), RTE/Galway Film Centre Short Film Award (Crossing), BBC Radio 4 First Bite Award (Cemetery Sunday), Finalist in the BBCNI Tony Doyle Award, NI Arts Council ACES award, NI Arts Council SIAP award. Jimmy McAleavey is currently Lecturer in Creative Writing at the Seamus Heaney Centre/School of English, Queens University Belfast. He convenes the MA in Creative Writing (Scriptwriting) and teaches Year 2 and Year 3 undergraduates.
Recenzii
the message does come through loud and clear: violence destroys the perpetrator as much as the victim, and throwing yourself into its bottomless pit will never unearth absolution or lost humanity.
authentic. Monsters, Dinosaurs, Ghosts is a compelling piece of work, undeniably crude in places, but full of provocative ideas and salty northern humour. . . . McAleavey skilfully walks a tightrope between pitch-black comedy and psychological thriller - and has produced a memorably unsettling drama that shows the peace process had its victims too.
The new work by Jimmy McAleavey is tagged as a darkly funny play that takes a fearless look at why men go to war. . . . a blistering and hilariously black dissection of the ideology and activities of the Provisional IRA . . . The play doesn't just cast a piercing light on the perverse ideology of guns and bombs, it asks one compelling question: how can the same people who are unapologetic in their support for the methods and motives of the Provisional IRA, condemn the Real IRA for having the same ends and using the same tactics? . . . There is scorching black humour about the difference between the high-flown rhetoric and the reality, about the elaborate ritual of throwing police off the scent, the jargon of psychotherapy, the intricacies of transporting bombs, and the sudden great interest in baseball bats.
authentic. Monsters, Dinosaurs, Ghosts is a compelling piece of work, undeniably crude in places, but full of provocative ideas and salty northern humour. . . . McAleavey skilfully walks a tightrope between pitch-black comedy and psychological thriller - and has produced a memorably unsettling drama that shows the peace process had its victims too.
The new work by Jimmy McAleavey is tagged as a darkly funny play that takes a fearless look at why men go to war. . . . a blistering and hilariously black dissection of the ideology and activities of the Provisional IRA . . . The play doesn't just cast a piercing light on the perverse ideology of guns and bombs, it asks one compelling question: how can the same people who are unapologetic in their support for the methods and motives of the Provisional IRA, condemn the Real IRA for having the same ends and using the same tactics? . . . There is scorching black humour about the difference between the high-flown rhetoric and the reality, about the elaborate ritual of throwing police off the scent, the jargon of psychotherapy, the intricacies of transporting bombs, and the sudden great interest in baseball bats.