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Moulding the Female Body in Victorian Fairy Tales and Sensation Novels

Autor Laurence Talairach-Vielmas
en Limba Engleză Paperback – 11 noi 2016
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.
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Specificații

ISBN-13: 9781138251830
ISBN-10: 1138251836
Pagini: 200
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Notă biografică

Laurence Talairach-Vielmas is Senior Lecturer in English at the University of Toulouse-Le Mirail, France.

Recenzii

’... the author's exploration of the female body in Victorian fairy tales is a fascinating entry into the study of women's bodies in Victorian literature... the notion of 'moulding' the female body is innovative in Victorian literary criticism and announces that the book will endeavour to circumvent a subject that has too often been explored in antagonistic or even simplistic terms... Talairach-Vielmas's book includes extensive and relevant footnotes and offers an intriguing approach to Victorian heroines through thorough textual analyses.’ Cercles ’... provides a unique viewpoint on the relationship between the aestheticised female body and consumer culture, offering a new reading of fairy tales and sensation novels, emphasizing the importance of these genres.’ Journal of Pre-Raphaelite Studies ’Moulding the Female Body would be a welcome addition to any collection of scholarship on sensation fiction... Historians and literary scholars will find much to admire and to be inspired by here.’ H-Childhood

Cuprins

Introduction Femininity through the Looking-Glass; Chapter 1 ‘That that is, is’ The Bondage of Stories in Jean Ingelow’s Mopsa The Fairy (1869); Chapter 2 MacDonald’s Fallen Angel in ‘The Light Princess’ (1864); Chapter 3 Drawing ‘Muchnesses’ in Lewis Carroll’s Alice’s Adventures in Wonderland (1865); Chapter 4 Chapter Four Taming the Female Body in Juliana Horatia Ewing’s ‘Amelia and the Dwarfs’ (1870) and Christina Rossetti’s Speaking Likenesses (1874); Chapter 5 Chapter Five A Journey through the Crystal Palace Rhoda Broughton’s Politics of Plate-Glass in Not Wisely But Too Well (1867); Chapter 6 Investigating Books of Beauties in Charles Dickens’s Bleak House (1853) and M.E. Braddon’s Lady Audley’s Secret (1862); Chapter 7 Shaping the Female Consumer in Wilkie Collins’s No Name (1862); Chapter 8 Rachel Leverson and the London Beauty Salon; Chapter 9 Wilkie Collins’s Modern Snow White Arsenic Consumption and Ghastly Complexions in The Law and the Lady (1875); concl Conclusion;

Descriere

Laurence Talairach-Vielmas explores Victorian representations of femininity in fairy tales and sensation novels by authors such as George MacDonald, Lewis Carroll, Christina Rossetti, Wilkie Collins, Mary Elizabeth Braddon, and Charles Dickens. In the clash between fantasy and reality, these authors create a new type of realism that exposes the normative constraints imposed to contain the female body, and illuminates the tensions underlying the representation of the Victorian ideal.