Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966): Ideas, History, and Modern China, cartea 22
Autor Xiaoning LUen Limba Engleză Hardback – 29 ian 2020
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Specificații
ISBN-13: 9789004423510
ISBN-10: 9004423516
Dimensiuni: 155 x 235 mm
Greutate: 0.45 kg
Editura: Brill
Colecția Brill
Seria Ideas, History, and Modern China
ISBN-10: 9004423516
Dimensiuni: 155 x 235 mm
Greutate: 0.45 kg
Editura: Brill
Colecția Brill
Seria Ideas, History, and Modern China
Notă biografică
Xiaoning Lu is Lecturer in Modern Chinese Culture and Language at SOAS, University of London and co-editor of The Oxford Handbook of Communist Visual Cultures (Oxford University Press, 2020).
Recenzii
"Moulding the Socialist Subject by Xiaoning Lu is a concise yet insightful book. It addresses the instrumental role of cinema in textual form and as a state apparatus in ‘remoulding’ (改造, pp. 5 and 165) socialist subjectivity, as well as the intersection and interaction of cinema with other key discourses such as sport, ethnicity, theatre, melodrama, spectatorship/reception, and the urban/rural dichotomy. [...] Moulding the Socialist Subject is a welcome addition for students who love diverse movies, the general public eager to understand the ‘structure of feeling’ prevalent in a socialist regime, and scholars of China studies."
-Lunpeng Ma, Communication University of Zhejiang, in China information, Vol 35 (2021), pp. 113-114
"The book provides clearly written and engagingly illustrated pathways to understand the underlying histo-ries of contemporary conundrums"
-Stephanie Donald, Monash University Malaysia, in The China Journal , No. 86, July 2021, pp. 208-210
-Lunpeng Ma, Communication University of Zhejiang, in China information, Vol 35 (2021), pp. 113-114
"The book provides clearly written and engagingly illustrated pathways to understand the underlying histo-ries of contemporary conundrums"
-Stephanie Donald, Monash University Malaysia, in The China Journal , No. 86, July 2021, pp. 208-210
Cuprins
Acknowledgements
Figures
Introduction
1 The Socialist Subject for a New China (1949–1966)
2 Cinema within a Socialist Society of Spectacle
1 Terror and Mass Surveillance: the Counterespionage Film
1 The Counterespionage Film and Political Campaigns against Counterrevolutionaries
2 Cinematic Articulation of Mass Surveillance: The Might of the People
2 The New Physical Culture and Volatile Attractions: the Sports Film
1 The New Physical Culture
2 Promoting Workers’ Sport and Heterogeneous Laughter: Trouble on the Basketball Court and Big Li, Young Li and Old Li
3 Sports, Ethics, and Melodramatic Imagination: Woman Basketball Player No. 5 and Ice-Skating Sisters
3 Ethnicity and Socialist Fraternity: the National Minority Film
1 Reconfiguring the Ethnic Landscape: From Ethnicity to Nationality
2 The National Minority Film
3 Flames of War in a Border Village: Cross-Ethnic Performance and the Politics of Recognition
4 Daji and Her Fathers from Page to Screen: Typifying Ethnic Fraternity in Socialist China
4 Modeling the Model: Red Stardom
1 Problematizing “the Star”
2 Star Image
3 The Stanislavski System and Modeling the Red Star
5 The Cultural Politics of Affect: Villain Stardom
1 Negative Characters, Performance Context, and Production of Affect
2 Villain Performance as Negative Pedagogy
6 Mobile Attraction: Itinerant Film Projectionists and Rural Cinema Exhibition
1 Itinerant Film Projection: a New Attraction in Rural China
2 Rural Film Exhibition: Problems and Challenges
3 Film Projectionists and Their Machines
4 Film Projectionists and Their Exhibition Practices
Conclusion
Bibliography
Filmography
Index
Figures
Introduction
1 The Socialist Subject for a New China (1949–1966)
2 Cinema within a Socialist Society of Spectacle
1 Terror and Mass Surveillance: the Counterespionage Film
1 The Counterespionage Film and Political Campaigns against Counterrevolutionaries
2 Cinematic Articulation of Mass Surveillance: The Might of the People
2 The New Physical Culture and Volatile Attractions: the Sports Film
1 The New Physical Culture
2 Promoting Workers’ Sport and Heterogeneous Laughter: Trouble on the Basketball Court and Big Li, Young Li and Old Li
3 Sports, Ethics, and Melodramatic Imagination: Woman Basketball Player No. 5 and Ice-Skating Sisters
3 Ethnicity and Socialist Fraternity: the National Minority Film
1 Reconfiguring the Ethnic Landscape: From Ethnicity to Nationality
2 The National Minority Film
3 Flames of War in a Border Village: Cross-Ethnic Performance and the Politics of Recognition
4 Daji and Her Fathers from Page to Screen: Typifying Ethnic Fraternity in Socialist China
4 Modeling the Model: Red Stardom
1 Problematizing “the Star”
2 Star Image
3 The Stanislavski System and Modeling the Red Star
5 The Cultural Politics of Affect: Villain Stardom
1 Negative Characters, Performance Context, and Production of Affect
2 Villain Performance as Negative Pedagogy
6 Mobile Attraction: Itinerant Film Projectionists and Rural Cinema Exhibition
1 Itinerant Film Projection: a New Attraction in Rural China
2 Rural Film Exhibition: Problems and Challenges
3 Film Projectionists and Their Machines
4 Film Projectionists and Their Exhibition Practices
Conclusion
Bibliography
Filmography
Index