Postsocialist Conditions: Ideas and History in China’s "Independent Cinema", 1988-2008: Ideas, History, and Modern China, cartea 19
Autor Xiaoping Wangen Limba Engleză Hardback – 19 sep 2018
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Specificații
ISBN-13: 9789004385542
ISBN-10: 9004385541
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Ideas, History, and Modern China
ISBN-10: 9004385541
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Ideas, History, and Modern China
Cuprins
Contents
Acknowledgments
List of Illustrations
Introduction: Articulating the Logic of China’s Postsocialist Society in the Era of Neo-Liberal Transformation
1 China in Transition: Jia Zhangke’s “Hometown Trilogy”
2 Postmodern Anomie or Postsocialist Alienation?
3 Problematic Narration of the Historical Experience of Working Class
4 Portraying the Abject and the Sublime of the Subaltern
5 Exhibiting the Confusion and Melancholy of Artists
6 Women’s Changing Destiny in the Post-Revolutionary Fantasyland
7 In the Name of Love: Ideology of the Elite Class
8 Whither China? Wang Chao’s “China Trilogy”
Conclusion: On the Historicity of the Sixth-Generation Auteurs and China’s “Independent” Cinema
Filmography
Selected Bibliography
Index
Acknowledgments
List of Illustrations
Introduction: Articulating the Logic of China’s Postsocialist Society in the Era of Neo-Liberal Transformation
1 China in Transition: Jia Zhangke’s “Hometown Trilogy”
2 Postmodern Anomie or Postsocialist Alienation?
3 Problematic Narration of the Historical Experience of Working Class
4 Portraying the Abject and the Sublime of the Subaltern
5 Exhibiting the Confusion and Melancholy of Artists
6 Women’s Changing Destiny in the Post-Revolutionary Fantasyland
7 In the Name of Love: Ideology of the Elite Class
8 Whither China? Wang Chao’s “China Trilogy”
Conclusion: On the Historicity of the Sixth-Generation Auteurs and China’s “Independent” Cinema
Filmography
Selected Bibliography
Index
Notă biografică
WANG Xiaoping, Ph.D. (2010), is Chair Professor of Chinese studies at Huaqiao University and Adjunct Professor of the Institute of Arts and Humanities of Shanghai Jiaotong University, China. He has published more than 100 articles and numerous monographs, including Ideology and Utopia in China’s New Wave Cinema: Globalization and Its Chinese Discontents (Palgrave Macmillan, 2018).