Moving with the Magdalen: Late Medieval Art and Devotion in the Alps
Autor Dr Joanne W. Andersonen Limba Engleză Hardback – 20 mar 2019
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Specificații
ISBN-13: 9781501334689
ISBN-10: 1501334689
Pagini: 272
Ilustrații: 40 colour and 44 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.77 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 1501334689
Pagini: 272
Ilustrații: 40 colour and 44 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.77 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Caracteristici
A recasting of Mary Magdalen as parish and pilgrims' saint in the mountains through the agency of art
Notă biografică
Joanne Anderson (PhD 2010, Warwick) is Lecturer in 13th-17th Century History of Art at the Warburg Institute in London, UK.
Cuprins
List of IllustrationsAcknowledgementsList of AbbreviationsIntroductionThe Late Medieval MagdalenImage, Faith and Place - Mary Magdalen in the AlpsResearching Mary MagdalenBook StructureChapter One: Pilgrimage Politics and Late Medieval ArtA Toll of Devotion - Mary Magdalen in the Aosta ValleyPilgrims' Progress and Experiential ObjectsArt in an Age of Magdalen FermentationScaling up the MapChapter Two: Regulating the Mountain Parish SaintSankt Magdalen in Dusch and its PaintingsA Habit of ChoiceArt and the Premonstratensian Order Imaging Mary Magdalen in a Mountain ParishLast ThingsArt and the Sacralising of the MountainsChapter Three: Networks of Devotion in BozenSankt Magdalena in Prazöll - Renewing the Parish SaintInternational Networks and the Pairing of Pilgrimage SaintsMary Magdalen and the Regional Pilgrimage ContextFamily Patronage and Networks - the von BrandisDevotional Networks and Strategic PatronageUp the Mountain with the MagdalenChapter Four: Framing Pilgrimage Practice in Tyrol Framing Local HistoryThe Universal Local SaintThe Imagery of RedemptionChapter Five: Mining Devotion in the MountainsMining the Iconography of Mary Magdalen'bonum argentum de Sneberch' - Working and Praying at the CoalfaceMary Magdalen and the MinersChapter Six: Alpine Workshops and Artistic TransmissionSanta Maria Maddalena, Cusiano - History and DecorationThe Magdalen Fresco CycleArt and Artistic EnterprisePatrons and the CommissionPathways of TransmissionStock Types and TopicalityChapter Seven: Devotion and Resurrection in the AlpsMother of the ParishPicturing a New Patron SaintReconstructing the Life of Mary MagdalenGenerating FaithCradle to Grave CareInforming and Reforming the ParishesCoda: The Alps as KunstlandschaftBibliography
Recenzii
Anderson has moved beyond a conventional art historical analysis to widen the boundaries of the study of religious art into the realms of visual culture, material culture, gender studies, and rural devotions . She has widened the study of Mary Magdalen into new geographic and iconographic territories.
Moving with the Magdalen is a welcome addition to the scholarly study of the visual culture inspired by devotion to St. Mary Magdalen in the later Middle Ages. Its salutary innovation is to train our sights on relatively unknown terrain: the mountainous territories of the Maritime and Swiss Alps and the South Tyrol. Through a close examination of the visual material produced for what seems at first glance to be a group of unrelated religious sanctuaries in this landscape, Joanne W. Anderson convincingly demonstrates how the many pilgrimage, patronage, and artistic networks that criss-crossed these European mountain ranges served to connect vibrant local devotion to the flourishing universal cult of St. Mary Magdalen in the later medieval period. The book also showcases a wealth of unfamiliar visual evidence produced to honor the saint that no doubt will inspire a new generation of pilgrims-both scholarly and spiritual-to lace up their hiking books, strap on their backpacks, and make the physical ascent to see these marvelous images and artifacts in situ.
Moving with the Magdalen is a welcome addition to the scholarly study of the visual culture inspired by devotion to St. Mary Magdalen in the later Middle Ages. Its salutary innovation is to train our sights on relatively unknown terrain: the mountainous territories of the Maritime and Swiss Alps and the South Tyrol. Through a close examination of the visual material produced for what seems at first glance to be a group of unrelated religious sanctuaries in this landscape, Joanne W. Anderson convincingly demonstrates how the many pilgrimage, patronage, and artistic networks that criss-crossed these European mountain ranges served to connect vibrant local devotion to the flourishing universal cult of St. Mary Magdalen in the later medieval period. The book also showcases a wealth of unfamiliar visual evidence produced to honor the saint that no doubt will inspire a new generation of pilgrims-both scholarly and spiritual-to lace up their hiking books, strap on their backpacks, and make the physical ascent to see these marvelous images and artifacts in situ.