Muqarnas 31: Muqarnas, cartea 31
Editat de Gülru Necipoglu, Karen Lealen Limba Engleză Hardback – 13 noi 2014
Muqarnas 31 contains articles spanning the vast parameters (both geographic and disciplinary) of the field of Islamic art and architecture, from Iberia to Central Europe to the Subcontinent, from the Madinat al-Zahraʾ in Cordoba to Ottoman textiles and costumes to Mughal painting. The volume also contains essays on lusterware produced in Seville in the Taifa period; gardens in the fourteenth-century text Bāgh-i Samanzār-i Nūshāb; the Elvan Çelebi complex in Anatolia; and Seljuq-era stucco sculptures from Iran.
Authors include Susana Capilla, Stephan Heidemann, Benjamin Anderson, Hamidreza Jayhani, Heike Franke, Amanda Phillips, Adam Jasienski, and Ulrich Marzolph, with contributions to the “Notes and Sources” section by Carmen Barceló and Anja Heidenreich, and Deniz Türker.
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Specificații
ISBN-13: 9789004277427
ISBN-10: 9004277420
Pagini: 306
Dimensiuni: 210 x 270 x 23 mm
Greutate: 1.34 kg
Editura: Brill
Colecția Brill
Seria Muqarnas
ISBN-10: 9004277420
Pagini: 306
Dimensiuni: 210 x 270 x 23 mm
Greutate: 1.34 kg
Editura: Brill
Colecția Brill
Seria Muqarnas
Notă biografică
Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.
Cuprins
Table of Contents
Susana Calvo Capilla, THE REUSE OF CLASSICAL ANTIQUITY IN THE PALACE OF MADINAT AL-ZAHRAʾ AND ITS ROLE IN THE CONSTRUCTION OF CALIPHAL LEGITIMACY
Stefan Heidemann, Jean-François de Lapérouse, and Vicki Parry, THE LARGE AUDIENCE: LIFE-SIZED STUCCO FIGURES OF ROYAL PRINCES FROM THE SELJUQ PERIOD
Benjamin Anderson, THE COMPLEX OF ELVAN ÇELEBI: PROBLEMS IN FOURTEENTH-CENTURY ARCHITECTURE
Hamidreza Jayhani, BĀGH-I SAMANZĀR-I NŪSHĀB: TRACING A LANDSCAPE, BASED ON THE BRITISH LIBRARY MASNAVĪ OF HUMĀY U HUMĀYŪN
Heike Franke, EMPERORS OF ṢŪRAT AND MACNĪ: JAHANGIR AND SHAH JAHAN AS TEMPORAL AND SPIRITUAL RULERS
Amanda Phillips, A MATERIAL CULTURE: OTTOMAN VELVETS AND THEIR OWNERS, 1600–1750
Adam Jasienski, A SAVAGE MAGNIFICENCE: OTTOMANIZING FASHION AND THE POLITICS OF DISPLAY IN EARLY MODERN EAST-CENTRAL EUROPE
Ulrich Marzolph, FROM MECCA TO MASHHAD: THE NARRATIVE OF AN ILLUSTRATED SHIʿI PILGRIMAGE SCROLL FROM THE QAJAR PERIOD
Notes and Sources
Carmen Barceló and Anja Heidenreich, LUSTERWARE MADE IN THE ABBADID TAIFA OF SEVILLE (ELEVENTH CENTURY) AND ITS EARLY PRODUCTION IN THE MEDITERRANEAN REGION
Deniz Türker, HAKKY-BEY AND HIS JOURNAL LE MIROIR DE L’ART MUSULMAN, OR, MIRʾĀT-I ṢANĀYİʿ-İ İSLĀMİYE (1898)
Susana Calvo Capilla, THE REUSE OF CLASSICAL ANTIQUITY IN THE PALACE OF MADINAT AL-ZAHRAʾ AND ITS ROLE IN THE CONSTRUCTION OF CALIPHAL LEGITIMACY
Stefan Heidemann, Jean-François de Lapérouse, and Vicki Parry, THE LARGE AUDIENCE: LIFE-SIZED STUCCO FIGURES OF ROYAL PRINCES FROM THE SELJUQ PERIOD
Benjamin Anderson, THE COMPLEX OF ELVAN ÇELEBI: PROBLEMS IN FOURTEENTH-CENTURY ARCHITECTURE
Hamidreza Jayhani, BĀGH-I SAMANZĀR-I NŪSHĀB: TRACING A LANDSCAPE, BASED ON THE BRITISH LIBRARY MASNAVĪ OF HUMĀY U HUMĀYŪN
Heike Franke, EMPERORS OF ṢŪRAT AND MACNĪ: JAHANGIR AND SHAH JAHAN AS TEMPORAL AND SPIRITUAL RULERS
Amanda Phillips, A MATERIAL CULTURE: OTTOMAN VELVETS AND THEIR OWNERS, 1600–1750
Adam Jasienski, A SAVAGE MAGNIFICENCE: OTTOMANIZING FASHION AND THE POLITICS OF DISPLAY IN EARLY MODERN EAST-CENTRAL EUROPE
Ulrich Marzolph, FROM MECCA TO MASHHAD: THE NARRATIVE OF AN ILLUSTRATED SHIʿI PILGRIMAGE SCROLL FROM THE QAJAR PERIOD
Notes and Sources
Carmen Barceló and Anja Heidenreich, LUSTERWARE MADE IN THE ABBADID TAIFA OF SEVILLE (ELEVENTH CENTURY) AND ITS EARLY PRODUCTION IN THE MEDITERRANEAN REGION
Deniz Türker, HAKKY-BEY AND HIS JOURNAL LE MIROIR DE L’ART MUSULMAN, OR, MIRʾĀT-I ṢANĀYİʿ-İ İSLĀMİYE (1898)