Muqarnas, Volume 28: Muqarnas, cartea 28
Editat de Gülru Necipoğlu Karen A. Lealen Limba Engleză Paperback – 24 noi 2011
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Specificații
ISBN-13: 9789004259478
ISBN-10: 9004259473
Dimensiuni: 210 x 270 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Muqarnas
ISBN-10: 9004259473
Dimensiuni: 210 x 270 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Muqarnas
Notă biografică
Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.
Cuprins
CONTENTS
Editor’s Foreword: In Memoriam: Oleg Grabar (1929–2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Bibliography of Professor Oleg Grabar, 2007–2010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Alain F. George, The Illustrations of the Maqāmāt and the Shadow Play . . . . . . . . . . . . . . . . . . . . . . . .
Marcus Milwright, On the Date of Paul Kahle’s Egyptian Shadow Puppets . . . . . . . . . . . . . . . . . . . .
Adam Mestyan, Arabic Lexicography and European Aesthetics: The Origin of Fann . . . . . . . . . . . .
Amy S. Landau, From Poet to Painter: Allegory and Metaphor in A Seventeenth-Century Persian
Painting by Muhammad Zaman, Master of Farangī-Sāzī . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Lisa Golombek, The So-Called “Turabeg Khanom” Mausoleum in Kunya Urgench: Problems of
Attribution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Suna Çağaptay, Frontierscape: Reconsidering Bithynian Structures and Their Builders on the
Byzantine–Ottoman Cusp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Doris Behrens-Abouseif, The Complex of Sultan Mahmud I in Cairo . . . . . . . . . . . . . . . . . . . . . . . . . .
NOTES AND SOURCES
Filiz Çağman and Zeren Tanındı, Selections from Jalayirid Books in the Libraries of Istanbul . . . . .
Yael Rice, An Early Fifteenth-Century Khamsa from Shiraz in the Bryn Mawr College Library . . . . . .
Oleg Grabar†, On Knowledge and Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Editor’s Foreword: In Memoriam: Oleg Grabar (1929–2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Bibliography of Professor Oleg Grabar, 2007–2010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Alain F. George, The Illustrations of the Maqāmāt and the Shadow Play . . . . . . . . . . . . . . . . . . . . . . . .
Marcus Milwright, On the Date of Paul Kahle’s Egyptian Shadow Puppets . . . . . . . . . . . . . . . . . . . .
Adam Mestyan, Arabic Lexicography and European Aesthetics: The Origin of Fann . . . . . . . . . . . .
Amy S. Landau, From Poet to Painter: Allegory and Metaphor in A Seventeenth-Century Persian
Painting by Muhammad Zaman, Master of Farangī-Sāzī . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Lisa Golombek, The So-Called “Turabeg Khanom” Mausoleum in Kunya Urgench: Problems of
Attribution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Suna Çağaptay, Frontierscape: Reconsidering Bithynian Structures and Their Builders on the
Byzantine–Ottoman Cusp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Doris Behrens-Abouseif, The Complex of Sultan Mahmud I in Cairo . . . . . . . . . . . . . . . . . . . . . . . . . .
NOTES AND SOURCES
Filiz Çağman and Zeren Tanındı, Selections from Jalayirid Books in the Libraries of Istanbul . . . . .
Yael Rice, An Early Fifteenth-Century Khamsa from Shiraz in the Bryn Mawr College Library . . . . . .
Oleg Grabar†, On Knowledge and Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .