Music and the Cultures of Print: Critical and Cultural Musicology
Editat de Kate van Ordenen Limba Engleză Hardback – noi 1999
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Specificații
ISBN-13: 9780815325741
ISBN-10: 0815325746
Pagini: 376
Ilustrații: Illustrations, music
Dimensiuni: 138 x 216 x 32 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Critical and Cultural Musicology
Locul publicării:Oxford, United Kingdom
ISBN-10: 0815325746
Pagini: 376
Ilustrații: Illustrations, music
Dimensiuni: 138 x 216 x 32 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Critical and Cultural Musicology
Locul publicării:Oxford, United Kingdom
Cuprins
Introduction. Kate Van Orden Printing the 'New Music'. Tim Carter Elite Books, Popular Readers, and the Curious Hundred Year History of the Liber Usualis. Katherine Bergeron Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera. Thomas Christensen Alban Berg Remembers Emil Hertzka: Composer and Publisher Between Real and Ideal. Robert Holzer Orlando di Lasso, Composer and Print Entrepreneur. James Haar Authors and Anonyms: Recovering the Anonymous Subject in Cinquecento Vernacular Objects. Martha Feldman Enterprise and Identity: Black Music, Theater, and Print Culture in Turn-of-the-Century Chicago. Thomas Bauman Benigne de Bacilly and the Recueil des plus beaux vers, qui ont este mis en chant of 1661. Lisa Perella Cheap Print and Street Songs Following the Vespres Lyonnaise. Kate Van Orden Afterword. Roger Chartier
Notă biografică
Kate van Orden is Assistant Professor of Music at the University of California, Berkeley. She has published on the Renaissance chanson and on French symbolism and music. She also specializes in historical performance on the bassoon and has performed and recorded with such ensembles as Les Arts Florissants, Collegium Vocale Ghent, Tafelmusik, and La Petite Bande.
Descriere
This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed.