Cantitate/Preț
Produs
Total produse
Vezi coșul
African Diaspora: A Musical Perspective de Ingrid Monson

African Diaspora: A Musical Perspective: Critical and Cultural Musicology

Editat de Ingrid Monson
en Limba Engleză Paperback – 9 iun 2003
The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (2) 42158 lei  6-8 săpt.
  Taylor & Francis – 9 iun 2003 42158 lei  6-8 săpt.
  Taylor & Francis – 13 mai 2016 42587 lei  6-8 săpt.
Hardback (2) 99387 lei  6-8 săpt.
  Taylor & Francis – 27 iul 2000 99387 lei  6-8 săpt.
  Taylor & Francis – 6 sep 2016 119338 lei  6-8 săpt.

Din seria Critical and Cultural Musicology

  • 26% Music and the Cultures of Print
    Preț: 76301 lei
  • Music and Marx: Ideas, Practice, Politics
    Preț: 45613 lei
  • Music, Sensation, and Sensuality
    Preț: 43020 lei
  • The Arts Entwined: Music and Painting in the Nineteenth Century
    Preț: 44039 lei
  • 18% Between Opera and Cinema
    Preț: 108823 lei

Preț: 42158 lei

Preț vechi: 49597 lei
-15% Nou

Puncte Express: 632
Preț estimativ în valută:
8069€ • 8461$ • 6667£

Carte tipărită la comandă

Livrare economică 29 ianuarie-12 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780415967693
ISBN-10: 0415967694
Pagini: 376
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Critical and Cultural Musicology

Locul publicării:Oxford, United Kingdom

Notă biografică

Ingrid Monson is Quincy Jones Professor of African American Music at Harvard University. She won the Sonneck Society's 1998 Irving Lowens Prize for the best book in American music for her 1996 Saying Something, Jazz Improvisation and Interaction. She was also a founding member of the nationally known Klezmer Conservatory Band, and plays trumpet with jazz and salsa bands. Monson previously was Associate Professor of Music at Washington University in St. Louis, and has taught at the University of Michigan, Harvard (as Visiting Professor), and University of Chicago. She has a Ph.D. and an M.A. in Musicology from NYU, and a B.M. from New England Conservatory. Monson is currently working on two books: one on the impact of the Civil Rights Movement and African Independence on the history of jazz, and one on the musics of the African Diaspora.

Recenzii

"I found The African Diaspora: A Musical Perspective to be refreshing and above all, stimulating. This volume offers scholars a reading on various musical genres and the manner by which each mirrors aspects of identity, tradition and modernity, local musical traditions, and the effects of globalization--all important agents in the shaping and making of the African diaspora. After reading the entire volume, I have decided to use it as a primary text for my graduate seminar on African-American music. Furthermore, I certainly foresee its merit as a seminal text in diasporic, cultural criticism, and music scholarship. Hence, I unequivocally recommend The African Diaspora as an important work in the understanding of African diasporic music and culture." -- Cheryl Keyes, UCLA/Ethnomusicology Online No. 7

Cuprins

Series Editor’s Foreword 1. Introduction PART I TRAVELING MUSIC AND MUSICIANS 2. Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora 3. Communities of Style: Musical Figures of Black Diasporic Identity 4. Jazz on the Global Stage PART II BEYOND TRADITION OR MODERNITY 5. Women, Music, and the “Mystique” of Hunters in Mali 6. Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935–45) 7. Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera 8. They Just Need Money: Goods and Gods, Power and Truth in a West African Village PART III CONTRADICTORY MOMENTS 9. Militarism in Haitian Music 10. Musical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, Ambivalence 11. Art Blakey’s African Diaspora