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Music, Art and Performance from Liszt to Riot Grrrl: The Musicalization of Art

Editat de Dr Diane V. Silverthorne
en Limba Engleză Hardback – 12 dec 2018
Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the "isms" of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.
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Specificații

ISBN-13: 9781501330131
ISBN-10: 1501330136
Pagini: 288
Ilustrații: 16 colour and 13 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States

Caracteristici

Contributions from leading international scholars in the field including Therese Dolan and Anne Leonard

Notă biografică

Diane V. Silverthorne is an art historian and a 'Vienna 1900' scholar, with research interests in the synchronicity of music and the visual arts from the mid-nineteenth century onwards. She has published in several anthologies including Music and Modernism 1849-1950 (2012), The Routledge Companion to Music and Visual Culture (2013) and Music and Transcendence (2015). She holds a post in cultural studies at the University of the Arts, London and is working on a monograph about Vienna Secessionist and stage designer Alfred Roller (1864-1932) and the aesthetics of the Gesamtkunstwerk.

Cuprins

ContentsIntroduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to PostmodernismDiane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK)Prelude - The Musical in ArtJed Rasula (University of Georgia, Athens, USA)Part 1: The Musicalization of ArtSPACES OF INTIMACY, TOUCH AND TEMPORALITY1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market DistanceAlan Davison (University of Technology, Sydney, Australia)2. Making an Entrance: Manet's Still Life with Hat and GuitarTherese Dolan (Temple University, Tyler School of Art, Philadelphia, USA)3. Time in Fin-de-Siècle PaintingAnne Leonard (University of Chicago, USA)4. Erik Satie and the Interart GenreAnn-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland)5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the artsSpyros Petritakis (University of Crete, Greece)Part 2: The Musicalization of ArtSPACES OF PERFORMANCE, SOUND AND SILENCE6. Music, sound and light: Embodied experiences of the modernist and postmodern GesamtkunstwerkDiane V. Silverthorne (University of the Arts, London, UK)7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music"Nick Lambert (Ravensbourne College, London, UK)8. In concert: The emergence of the audio-visual moment in minimalismMeredith Mowder (Hunter College, The City University of New York, USA)9. Riffing the Index: Romare Bearden and the Hand of JazzNikki A. Greene (Wellesley College, Mass., USA)10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage"Kirstie Imber (Birkbeck, University of London, UK)11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl Cara Smulevitz (University of Illinois, Chicago, USA)PostludeDiane V. Silverthorne and Alan DavisonBibliography

Recenzii

Silverthorne brings together a bold and diverse collection of essays that summarise modern and contemporary themes in the field and offer many innovative insights. Highly recommended.