Music, Art and Performance from Liszt to Riot Grrrl: The Musicalization of Art
Editat de Dr Diane V. Silverthorneen Limba Engleză Hardback – 12 dec 2018
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Specificații
ISBN-13: 9781501330131
ISBN-10: 1501330136
Pagini: 288
Ilustrații: 16 colour and 13 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 1501330136
Pagini: 288
Ilustrații: 16 colour and 13 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Caracteristici
Contributions from leading international scholars in the field including Therese Dolan and Anne Leonard
Notă biografică
Diane V. Silverthorne is an art historian and a 'Vienna 1900' scholar, with research interests in the synchronicity of music and the visual arts from the mid-nineteenth century onwards. She has published in several anthologies including Music and Modernism 1849-1950 (2012), The Routledge Companion to Music and Visual Culture (2013) and Music and Transcendence (2015). She holds a post in cultural studies at the University of the Arts, London and is working on a monograph about Vienna Secessionist and stage designer Alfred Roller (1864-1932) and the aesthetics of the Gesamtkunstwerk.
Cuprins
ContentsIntroduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to PostmodernismDiane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK)Prelude - The Musical in ArtJed Rasula (University of Georgia, Athens, USA)Part 1: The Musicalization of ArtSPACES OF INTIMACY, TOUCH AND TEMPORALITY1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market DistanceAlan Davison (University of Technology, Sydney, Australia)2. Making an Entrance: Manet's Still Life with Hat and GuitarTherese Dolan (Temple University, Tyler School of Art, Philadelphia, USA)3. Time in Fin-de-Siècle PaintingAnne Leonard (University of Chicago, USA)4. Erik Satie and the Interart GenreAnn-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland)5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the artsSpyros Petritakis (University of Crete, Greece)Part 2: The Musicalization of ArtSPACES OF PERFORMANCE, SOUND AND SILENCE6. Music, sound and light: Embodied experiences of the modernist and postmodern GesamtkunstwerkDiane V. Silverthorne (University of the Arts, London, UK)7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music"Nick Lambert (Ravensbourne College, London, UK)8. In concert: The emergence of the audio-visual moment in minimalismMeredith Mowder (Hunter College, The City University of New York, USA)9. Riffing the Index: Romare Bearden and the Hand of JazzNikki A. Greene (Wellesley College, Mass., USA)10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage"Kirstie Imber (Birkbeck, University of London, UK)11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl Cara Smulevitz (University of Illinois, Chicago, USA)PostludeDiane V. Silverthorne and Alan DavisonBibliography
Recenzii
Silverthorne brings together a bold and diverse collection of essays that summarise modern and contemporary themes in the field and offer many innovative insights. Highly recommended.