Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music
Autor Neil Foxen Limba Engleză Paperback – 29 mai 2024
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Specificații
ISBN-13: 9781839023439
ISBN-10: 1839023430
Pagini: 280
Ilustrații: 15 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1839023430
Pagini: 280
Ilustrații: 15 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Caracteristici
Covers films across a wide spectrum of popular musical genres, locations and budgets to create a canon that puts independent films from Iran on the same level as multi-million dollar projects distributed by Hollywood studios
Notă biografică
Neil Fox is Associate Professor of Film Practice and Pedagogy at Falmouth University, UK. He leads the Research & Innovation programme, Pedagogy Futures, and convenes the Sound/Image Cinema Lab. He is an award-winning screenwriter whose short films and feature debut Wilderness (2017) have played to festival audiences around the globe. He is the co-founder and host of the leading film podcast The Cinematologists, the official podcast partner of the BFI national film seasons. He is the co-editor of Podcasting: New Aural Cultures and Digital Media (2018).
Cuprins
Foreword by Gruff RhysIntroductionI Form and Feel1. 'What Should I Say?' - Milestones and Innovations2. 'We'll try for a groove' - Music Making and the Careers of MusiciansII Politics and Place3. 'Secret Black Technologies' - Black Music4. 'Wherever we are, we are' - Place5. 'I just have to deal with it' - WomenIII Performativity and Performance6. 'Fuck continuity' - Truth and Myth7. 'Walk on stage and fucking 'ave it' - Concert and Tour FilmsEndnotes - Omissions, Alternative Histories and Further WatchingReferencesFilmographyIndex
Recenzii
An impassioned and eclectic survey, Fox's book on what he calls 'music films' not only introduces the canon, but explores its outer limits and limitations.
This comprehensive analysis of music documentaries, tour films and other cinematic representations of popular music is an invaluable contribution to the field of film studies, music studies, media studies and to anyone interested in music on screen.
This comprehensive analysis of music documentaries, tour films and other cinematic representations of popular music is an invaluable contribution to the field of film studies, music studies, media studies and to anyone interested in music on screen.