Music Perception: Springer Handbook of Auditory Research, cartea 36
Editat de Mari Riess Jones, Richard R. Fay, Arthur N. Popperen Limba Engleză Paperback – 13 oct 2012
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 694.37 lei 6-8 săpt. | |
Springer – 13 oct 2012 | 694.37 lei 6-8 săpt. | |
Hardback (1) | 700.19 lei 6-8 săpt. | |
Springer – 25 aug 2010 | 700.19 lei 6-8 săpt. |
Din seria Springer Handbook of Auditory Research
- 5% Preț: 680.38 lei
- 15% Preț: 631.92 lei
- 18% Preț: 924.93 lei
- 18% Preț: 929.05 lei
- 18% Preț: 926.92 lei
- 18% Preț: 922.15 lei
- 18% Preț: 923.98 lei
- 18% Preț: 928.58 lei
- 18% Preț: 928.58 lei
- 15% Preț: 619.66 lei
- 18% Preț: 932.56 lei
- 18% Preț: 930.57 lei
- 18% Preț: 924.29 lei
- 18% Preț: 1353.23 lei
- 18% Preț: 927.84 lei
- 18% Preț: 929.96 lei
- 18% Preț: 923.24 lei
- 18% Preț: 922.46 lei
- 18% Preț: 925.68 lei
- 18% Preț: 920.17 lei
- 18% Preț: 930.14 lei
- 18% Preț: 927.23 lei
- 18% Preț: 923.54 lei
- 15% Preț: 626.18 lei
- 24% Preț: 807.79 lei
- 18% Preț: 924.15 lei
- 18% Preț: 923.38 lei
Preț: 694.37 lei
Preț vechi: 730.91 lei
-5% Nou
Puncte Express: 1042
Preț estimativ în valută:
132.88€ • 139.75$ • 111.03£
132.88€ • 139.75$ • 111.03£
Carte tipărită la comandă
Livrare economică 08-22 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781461426493
ISBN-10: 1461426499
Pagini: 276
Ilustrații: XII, 264 p.
Dimensiuni: 155 x 235 x 14 mm
Greutate: 0.4 kg
Ediția:2010
Editura: Springer
Colecția Springer
Seria Springer Handbook of Auditory Research
Locul publicării:New York, NY, United States
ISBN-10: 1461426499
Pagini: 276
Ilustrații: XII, 264 p.
Dimensiuni: 155 x 235 x 14 mm
Greutate: 0.4 kg
Ediția:2010
Editura: Springer
Colecția Springer
Seria Springer Handbook of Auditory Research
Locul publicării:New York, NY, United States
Public țintă
ResearchCuprins
Music Perception: Current Research and Future Directions.- The Perception of Family and Register in Musical Tones.- A Theory of Tonal Hierarchies in Music.- Music Acquisition and Effects of Musical Experience.- Music and Emotion.- Tempo and Rhythm.- Neurodynamics of Music.- Memory for Melodies.
Recenzii
From the reviews:
“For advanced graduate students, post-doctoral researchers, and clinical investigators, Jones … compile eight chapters that overview a relatively new field of psychoacoustic and hearing research involving perception of musical sound patterns. Scholars working in psychology, behavioral and brain sciences, cognition, physiology, development, and neuroscience in the US, UK, and Canada discuss theory and research related to the basics of musical note perception; the way relative pitch in music conveys tonal relationship to listeners … and the ability to recognize melodies at different ages.” (SciTech Book News, December, 2010)
“Music Perception deals precisely … how listeners make sense of and garner meaning from the complex stream of nonrandom sound and silence that constitutes music. … of interest to psychologists, acoustics researchers, and the musically inclined (lay or professional) … . In general, the book is outstanding. It will not only inform people about the current exciting state of the research on music perception, but it should also serve as a model for how interdisciplinary research can richly inform a key topic of human experience.” (Aaron Kozbelt, PsycCRITIQUES, Vol. 56 (5), February, 2011)
“Springer handbook is for advanced students and researchers interested in the perceptual processing of musical materials. … suited for readers already knowledgeable of various basic fields … . Indeed, the detailed, up-to-date and systematic presentation of theoretical debates, empirical results, and controversial aspects of the literature give the researcher and the motivated student a head start in the design of novel experiments … . Music Perception Handbook is a precious research instrument. The community and the scientific field will undoubtedly benefit by this novel publication.” (Bruno L. Giordano and P. L. Marston, Journal of the Acoustical Society of America, Vol. 129(6), June, 2011)
“For advanced graduate students, post-doctoral researchers, and clinical investigators, Jones … compile eight chapters that overview a relatively new field of psychoacoustic and hearing research involving perception of musical sound patterns. Scholars working in psychology, behavioral and brain sciences, cognition, physiology, development, and neuroscience in the US, UK, and Canada discuss theory and research related to the basics of musical note perception; the way relative pitch in music conveys tonal relationship to listeners … and the ability to recognize melodies at different ages.” (SciTech Book News, December, 2010)
“Music Perception deals precisely … how listeners make sense of and garner meaning from the complex stream of nonrandom sound and silence that constitutes music. … of interest to psychologists, acoustics researchers, and the musically inclined (lay or professional) … . In general, the book is outstanding. It will not only inform people about the current exciting state of the research on music perception, but it should also serve as a model for how interdisciplinary research can richly inform a key topic of human experience.” (Aaron Kozbelt, PsycCRITIQUES, Vol. 56 (5), February, 2011)
“Springer handbook is for advanced students and researchers interested in the perceptual processing of musical materials. … suited for readers already knowledgeable of various basic fields … . Indeed, the detailed, up-to-date and systematic presentation of theoretical debates, empirical results, and controversial aspects of the literature give the researcher and the motivated student a head start in the design of novel experiments … . Music Perception Handbook is a precious research instrument. The community and the scientific field will undoubtedly benefit by this novel publication.” (Bruno L. Giordano and P. L. Marston, Journal of the Acoustical Society of America, Vol. 129(6), June, 2011)
Textul de pe ultima copertă
This volume presents an overview of a relatively new field of psychoacoustic and hearing research that involves perception of musical sound patterns. The material is considered in a set of chapters that reflect the current status of scientific scholarship related to music perception. Each chapter aims at synthesizing a range of findings associated with one of of several major research areas in the field of music perception.
Overview Mari Riess Jones, Richard R. Fay, Arthur N. Popper
Music Perception: Current Research and Future Directions Mari Riess Jones
The Perception of Family and Register in Musical Notes Roy G. Patterson, Etienne Gaudrain, and Thomas C. Walters
A Theory of Tonal Hierarchies in Music Carol L. Krumhansl and Lola L. Cuddy
Music Acquisition and Effects of Musical Experience Laurel L. Trainor and Kathleen A. Corrigall
Music and Emotion Patrick G. Hunter and E. Glenn Schellenberg Tempo and Rhythm J. Devin McAuley Neurodynamics of Music Edward W. Large
Memory for Melodies Andrea R. Halpern and James C. Bartlett
About the Editors:
Mari Riess Jones is Full Professor in the Department of Psychology at The Ohio State University, Columbus, and Adjunct Professor of Psychology at the University of California, Santa Barbara. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago.
About the Series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.
Overview Mari Riess Jones, Richard R. Fay, Arthur N. Popper
Music Perception: Current Research and Future Directions Mari Riess Jones
The Perception of Family and Register in Musical Notes Roy G. Patterson, Etienne Gaudrain, and Thomas C. Walters
A Theory of Tonal Hierarchies in Music Carol L. Krumhansl and Lola L. Cuddy
Music Acquisition and Effects of Musical Experience Laurel L. Trainor and Kathleen A. Corrigall
Music and Emotion Patrick G. Hunter and E. Glenn Schellenberg Tempo and Rhythm J. Devin McAuley Neurodynamics of Music Edward W. Large
Memory for Melodies Andrea R. Halpern and James C. Bartlett
About the Editors:
Mari Riess Jones is Full Professor in the Department of Psychology at The Ohio State University, Columbus, and Adjunct Professor of Psychology at the University of California, Santa Barbara. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago.
About the Series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.
Caracteristici
Provides a comprehensive overview of issues confronted by researchers in music perception/cognition First unifying volume on music perception Chapters written by leading researchers in the field. Includes supplementary material: sn.pub/extras