Cantitate/Preț
Produs
Total produse
Vezi coșul
Music, Radio and the Public Sphere: The Aesthetics of Democracy de Charles Fairchild

Music, Radio and the Public Sphere: The Aesthetics of Democracy

Autor Charles Fairchild
en Limba Engleză Hardback – 26 iun 2012
Radio, the most widely used medium in the world, is a dominant mediator of musical meaning. Through a combination of critical analysis, interdisciplinary theory and ethnographic writing about community radio, this book provides a novel theorization of democratic aesthetics, with important implications for the study of old and new media alike.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 37565 lei  43-57 zile
  Palgrave Macmillan UK – 2012 37565 lei  43-57 zile
Hardback (1) 38187 lei  43-57 zile
  Palgrave Macmillan UK – 26 iun 2012 38187 lei  43-57 zile

Preț: 38187 lei

Nou

Puncte Express: 573
Preț estimativ în valută:
7308€ • 7591$ • 6071£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230390508
ISBN-10: 0230390501
Pagini: 225
Ilustrații: X, 225 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.45 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

Introduction: the Unknown and the Unheard PART I: ENFORCING AND EVADING RATIONALIZATION Social Solidarity in the Luminiferous Ether Corporate Rationality, Communicative Reason and Aesthetic Experience Of Communities and Constituencies: Radio, the Market and the State PART II: MAKING RADIO, MAKING MEANING What Does a Civil Society Sound Like? Local Music for Local People Mixing: the Rational, the Reasoned, the Resourceful Conclusion: the Unheard and the Unknown Bibliography Index

Recenzii

'This monograph offers a theoretical intervention into and a detailed analysis of the democratic space opened by community radio against the backdrop of commercialism and corporate power typically associated with the music and radio industries. As the author explains, a scathing critique of the commercial music and radio systems alone would not reveal the democratic potential of these popular forms, and the book's attention to the democratic aesthetics of community radio addresses this critical question persuasively.' - Bethany Klein, University of Leeds, UK

Notă biografică

CHARLES FAIRCHILD Senior Lecturer in Popular Music, University of Sydney, Australia. He is the author of Pop Idols and Pirates (2008) and Community Radio and Public Culture (2001). He has published articles in journals such as Popular Music, Media, Culture & Society and Television and New Media.