Musical Composition in the Twentieth Century
Autor Arnold Whittallen Limba Engleză Hardback – 2 mar 2000
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Specificații
ISBN-13: 9780198166849
ISBN-10: 0198166842
Pagini: 426
Ilustrații: musical examples
Dimensiuni: 163 x 243 x 27 mm
Greutate: 0.76 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198166842
Pagini: 426
Ilustrații: musical examples
Dimensiuni: 163 x 243 x 27 mm
Greutate: 0.76 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
a magisterial account of a phenomenally broad range of musical styles, distinguished by clarity of expression, comprehensiveness of coverage, sustained analytical insights and first-rate presentation. As a readable and highly informative introduction to the compositonal techniques of 'serious' music of the last century, it is likely to remain a standard text, its grasp of essential aesthetic trends ensuring that both the complexity and humanity of the modern composer's art are vividly conveyed.
A valuable aspect of Whittall's book is ... its intelligent assessment of Soviet commposers on the evidence of their musical skills rather than merely considering their relationship to their cultural context.
The discussion of Nielsen's Fifth Symphony is especially fine, and sufficiently compelling in content and enthusiastic in tone as to send the reader directly off to listen to the music.
The text is shot through with genuine and telling insights into the compositional process, and the author's observations are expressed throughout with a polished clarity that demands that the book be recommended as an essential preliminary read for all would-be students of twentieth-century classical music.
Whittall's emphasis on polarity is a superb way of describing the structure of musical language
A valuable aspect of Whittall's book is ... its intelligent assessment of Soviet commposers on the evidence of their musical skills rather than merely considering their relationship to their cultural context.
The discussion of Nielsen's Fifth Symphony is especially fine, and sufficiently compelling in content and enthusiastic in tone as to send the reader directly off to listen to the music.
The text is shot through with genuine and telling insights into the compositional process, and the author's observations are expressed throughout with a polished clarity that demands that the book be recommended as an essential preliminary read for all would-be students of twentieth-century classical music.
Whittall's emphasis on polarity is a superb way of describing the structure of musical language