Musical Sense-Making: Enaction, Experience, and Computation: SEMPRE Studies in The Psychology of Music
Autor Mark Reybroucken Limba Engleză Hardback – 30 noi 2020
Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author’s findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory.
This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology.
Din seria SEMPRE Studies in The Psychology of Music
- Preț: 341.55 lei
- Preț: 280.95 lei
- Preț: 200.41 lei
- Preț: 341.55 lei
- Preț: 310.36 lei
- 12% Preț: 299.52 lei
- Preț: 352.88 lei
- Preț: 446.13 lei
- Preț: 445.18 lei
- Preț: 446.13 lei
- Preț: 358.44 lei
- 18% Preț: 998.38 lei
- 12% Preț: 325.34 lei
- 13% Preț: 324.86 lei
- 26% Preț: 819.09 lei
- 18% Preț: 840.64 lei
- Preț: 446.13 lei
- 18% Preț: 994.14 lei
- 26% Preț: 764.20 lei
- Preț: 484.72 lei
- 26% Preț: 819.90 lei
- Preț: 446.13 lei
- Preț: 446.13 lei
- Preț: 414.14 lei
- 18% Preț: 1101.79 lei
- 18% Preț: 1047.87 lei
- 18% Preț: 1098.65 lei
- Preț: 411.42 lei
- 18% Preț: 1104.20 lei
- 26% Preț: 849.37 lei
- 18% Preț: 992.90 lei
- Preț: 413.18 lei
- 18% Preț: 992.90 lei
Preț: 992.90 lei
Preț vechi: 1210.85 lei
-18% Nou
Puncte Express: 1489
Preț estimativ în valută:
190.10€ • 195.01$ • 160.06£
190.10€ • 195.01$ • 160.06£
Carte tipărită la comandă
Livrare economică 26 februarie-12 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780367222406
ISBN-10: 036722240X
Pagini: 236
Ilustrații: 7 Line drawings, black and white; 13 Halftones, black and white; 1 Tables, black and white; 20 Illustrations, black and white
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SEMPRE Studies in The Psychology of Music
Locul publicării:Oxford, United Kingdom
ISBN-10: 036722240X
Pagini: 236
Ilustrații: 7 Line drawings, black and white; 13 Halftones, black and white; 1 Tables, black and white; 20 Illustrations, black and white
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SEMPRE Studies in The Psychology of Music
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Chapter 1: Introduction
Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation
Chapter 3: Sense-Making and the Enactive Approach
Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach
Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims
Chapter 6: From Interaction to Sense-Making
Chapter 7: Music and the Extended Computational Approach
Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation
Chapter 3: Sense-Making and the Enactive Approach
Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach
Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims
Chapter 6: From Interaction to Sense-Making
Chapter 7: Music and the Extended Computational Approach
Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
Notă biografică
Mark Reybrouck is emeritus professor at the University of Leuven (KU Leuven) and guest professor at Ghent University, Belgium.
Descriere
Musical Sense-Making broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach.