Musicians in Transit – Argentina and the Globalization of Popular Music
Autor Matthew B. Karushen Limba Engleză Paperback – 2 ian 2017
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Specificații
ISBN-13: 9780822362364
ISBN-10: 0822362368
Pagini: 280
Dimensiuni: 151 x 227 x 27 mm
Greutate: 0.36 kg
Editura: MD – Duke University Press
ISBN-10: 0822362368
Pagini: 280
Dimensiuni: 151 x 227 x 27 mm
Greutate: 0.36 kg
Editura: MD – Duke University Press
Cuprins
Acknowledgments ix
Note about Online Resources xi
Introduction 1
1. Black in Buenos Aires: Oscar Alemán and the Transnational History of Swing 15
2. Argentines into Latins: The Jazz Histories of Lalo Schifrin and Gato Barbieri 39
3. Cosmopolitan Tango: Astor Piazzolla at Home and Abroad 70
4. The Sound of Latin America: Sandro and the Invention of Balada 108
5. Indigenous Argentina and Revolutionary Latin America: Mercedes Sosa and the Multiple Meanings of Folk Music 142
6. The Music of Globalization: Gustavo Santaollalo and the Production of Rock Latino 179
Conclusion 216
Notes 221
Bibliography 249
Index 263
Note about Online Resources xi
Introduction 1
1. Black in Buenos Aires: Oscar Alemán and the Transnational History of Swing 15
2. Argentines into Latins: The Jazz Histories of Lalo Schifrin and Gato Barbieri 39
3. Cosmopolitan Tango: Astor Piazzolla at Home and Abroad 70
4. The Sound of Latin America: Sandro and the Invention of Balada 108
5. Indigenous Argentina and Revolutionary Latin America: Mercedes Sosa and the Multiple Meanings of Folk Music 142
6. The Music of Globalization: Gustavo Santaollalo and the Production of Rock Latino 179
Conclusion 216
Notes 221
Bibliography 249
Index 263
Notă biografică
Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
Descriere
In Musicians in Transit Matthew B. Karush examines the careers of seven major twentieth-century Argentine popular musicians in the transnational context to show how their engagement with foreign genres, ideologies, and audiences helped them create innovative new music and shape new Argentine cultural and national identities.