Mussolini’s Rome: Rebuilding the Eternal City: Italian and Italian American Studies
Autor B. Painteren Limba Engleză Paperback – 11 aug 2005
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 524.22 lei 6-8 săpt. | |
Palgrave Macmillan US – 11 aug 2005 | 524.22 lei 6-8 săpt. | |
Hardback (1) | 263.83 lei 43-49 zile | |
Palgrave Macmillan US – 10 aug 2005 | 263.83 lei 43-49 zile |
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Specificații
ISBN-13: 9781403980021
ISBN-10: 1403980020
Pagini: 224
Ilustrații: XX, 200 p. 48 illus.
Dimensiuni: 170 x 244 x 13 mm
Greutate: 0.33 kg
Ediția:2005
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Italian and Italian American Studies
Locul publicării:New York, United States
ISBN-10: 1403980020
Pagini: 224
Ilustrații: XX, 200 p. 48 illus.
Dimensiuni: 170 x 244 x 13 mm
Greutate: 0.33 kg
Ediția:2005
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Italian and Italian American Studies
Locul publicării:New York, United States
Cuprins
Preface Introduction Mussolini's Obsession with Rome Celebration and Construction Sports, Youth, and the New Italian Architecture and Empire Neighborhoods and Housing Axis and Empire War, Resistance, and the New Republic Conclusion Appendix: Chronology of Projects Appendix: Fascist Street and Place Names
Recenzii
' the best single discussion of the topic available in English.' Stephen L. Dyson, European History Quarterly
'Painter's able study displays what hides in plain sight in the Eternal City.' - Gilbert Taylor, Booklist
'From 1925 to 1940 Italian fascism changed in fundamental ways the urban geography of Rome. Borden Painter's extremely interesting and useful book traces Mussolini's passion for tearing down and rebuilding Rome, but, more than that, Painter uses the Fascist architectural project as a way of analyzing the values and aspiration of the regime. Along the way he studies the architects and planners of the regime who tore down large parts of Medieval Rome to highlight ancient imperial Rome, but who also constructed the sport centers, the buildings for government offices, and the new university city. It is an original and insightful view of Mussolini and his regime.' - Alexander De Grand, North Carolina State University, USA
'In showing how fascist projects changed the look and even the very fabric of Rome, Borden Painter's fascinating study significantly enhances our understanding of Mussolini's regime. Attentive to the unique challenges and opportunities the Roman setting provided, Painter skillfully traces the effort to blend traditional and modern, old and new, within the framework of confident self-assertion that characterized the fascist experiment. His account is based on exhaustive research and an impressive mastery of the growingscholarly literature on fascist culture, yet it is lively and accessible and it will appeal to specialists and general readers alike.' - David D. Roberts, University of Georgia, USA
'Painter's able study displays what hides in plain sight in the Eternal City.' - Gilbert Taylor, Booklist
'From 1925 to 1940 Italian fascism changed in fundamental ways the urban geography of Rome. Borden Painter's extremely interesting and useful book traces Mussolini's passion for tearing down and rebuilding Rome, but, more than that, Painter uses the Fascist architectural project as a way of analyzing the values and aspiration of the regime. Along the way he studies the architects and planners of the regime who tore down large parts of Medieval Rome to highlight ancient imperial Rome, but who also constructed the sport centers, the buildings for government offices, and the new university city. It is an original and insightful view of Mussolini and his regime.' - Alexander De Grand, North Carolina State University, USA
'In showing how fascist projects changed the look and even the very fabric of Rome, Borden Painter's fascinating study significantly enhances our understanding of Mussolini's regime. Attentive to the unique challenges and opportunities the Roman setting provided, Painter skillfully traces the effort to blend traditional and modern, old and new, within the framework of confident self-assertion that characterized the fascist experiment. His account is based on exhaustive research and an impressive mastery of the growingscholarly literature on fascist culture, yet it is lively and accessible and it will appeal to specialists and general readers alike.' - David D. Roberts, University of Georgia, USA
Notă biografică
BORDEN W PAINTER JR is Professor of History Emeritus, Trinity College.