My Voice Is My Weapon – Music, Nationalism, and the Poetics of Palestinian Resistance
Autor David A. Mcdonalden Limba Engleză Paperback – 5 noi 2013
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Specificații
ISBN-13: 9780822354796
ISBN-10: 0822354799
Pagini: 360
Ilustrații: 20 illustrations, 9 figures
Dimensiuni: 151 x 229 x 22 mm
Greutate: 0.48 kg
Editura: MD – Duke University Press
ISBN-10: 0822354799
Pagini: 360
Ilustrații: 20 illustrations, 9 figures
Dimensiuni: 151 x 229 x 22 mm
Greutate: 0.48 kg
Editura: MD – Duke University Press
Recenzii
"David A. McDonald has written a singular, ambitious, and much-needed book that explores a very important dimension of the Palestinian-Israeli question. He provides an invaluable historical overview of Palestinian resistance music since the 1930s and an ethnography of music and musicians during the Second Intifada and its aftermath."Ted Swedenburg, coeditor of Palestine, Israel, and the Politics of Popular Culture"This book is highly original, well researched, and extremely engaging. Through strong social analysis and sharp historical insights, David A. McDonald connects music, poetry, performance, and political life among the Palestinian people."Virginia Danielson, author of The Voice of Egypt: Umm Kulthūm, Arabic Song, and Egyptian Society in the Twentieth Century
"David A. McDonald has written a singular, ambitious, and much-needed book that explores a very important dimension of the Palestinian-Israeli question. He provides an invaluable historical overview of Palestinian resistance music since the 1930s and an ethnography of music and musicians during the Second Intifada and its aftermath." - Ted Swedenburg, coeditor of Palestine, Israel, and the Politics of Popular Culture "This book is highly original, well researched, and extremely engaging. Through strong social analysis and sharp historical insights, David A. McDonald connects music, poetry, performance, and political life among the Palestinian people." - Virginia Danielson, author of The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century
"David A. McDonald has written a singular, ambitious, and much-needed book that explores a very important dimension of the Palestinian-Israeli question. He provides an invaluable historical overview of Palestinian resistance music since the 1930s and an ethnography of music and musicians during the Second Intifada and its aftermath." - Ted Swedenburg, coeditor of Palestine, Israel, and the Politics of Popular Culture "This book is highly original, well researched, and extremely engaging. Through strong social analysis and sharp historical insights, David A. McDonald connects music, poetry, performance, and political life among the Palestinian people." - Virginia Danielson, author of The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century
Notă biografică
Cuprins
Illustrations viii
Note on Transliterations xi
Note on Accessing Performance Videos xiii
Acknowledgments xvii
Introduction 1
1. Nationalism, Belonging, and the Performativity of Resistance 17
2. Poets, Singers, and Songs: Voices in the Resistance Movement (1917¿1967) 34
3. Al-Naksa and the Emergence of Political Song (1967¿1987) 78
4. The First Intifada and the Generation of Stones (1987¿2000) 116
5. Revivals and New Arrivals: The al-Aqsa Intifada (2000¿2010) 144
6. "My Songs Can Reach the Whole Nation": Baladna and Protest Song in Jordan 163
7. Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song 199
8. New Directions and New Modalities: Palestinian Hip-Hop in Israel 231
9. "Carrying Words Like Weapons": DAM Brings Hip-Hop to the West Bank 262
Epilogue 283
Appendix: Song Lyric Transliterations 287
Notes 305
Bibliography 321
Index 329
Note on Transliterations xi
Note on Accessing Performance Videos xiii
Acknowledgments xvii
Introduction 1
1. Nationalism, Belonging, and the Performativity of Resistance 17
2. Poets, Singers, and Songs: Voices in the Resistance Movement (1917¿1967) 34
3. Al-Naksa and the Emergence of Political Song (1967¿1987) 78
4. The First Intifada and the Generation of Stones (1987¿2000) 116
5. Revivals and New Arrivals: The al-Aqsa Intifada (2000¿2010) 144
6. "My Songs Can Reach the Whole Nation": Baladna and Protest Song in Jordan 163
7. Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song 199
8. New Directions and New Modalities: Palestinian Hip-Hop in Israel 231
9. "Carrying Words Like Weapons": DAM Brings Hip-Hop to the West Bank 262
Epilogue 283
Appendix: Song Lyric Transliterations 287
Notes 305
Bibliography 321
Index 329