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Neo-Victorian Things: Re-imagining Nineteenth-Century Material Cultures in Literature and Film

Editat de Sarah E. Maier, Brenda Ayres, Danielle Mariann Dove
en Limba Engleză Hardback – 17 iul 2022
Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.

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Specificații

ISBN-13: 9783031062001
ISBN-10: 3031062000
Pagini: 233
Ilustrații: XIII, 233 p.
Dimensiuni: 148 x 210 x 20 mm
Greutate: 0.45 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities
2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects
3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea
4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture
5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner
6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master
7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House
8. There’s Something in the Tea: Murder and Materiality in Dark Angel
9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions
10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic

Notă biografică

Sarah E. Maier and Brenda Ayres have coedited and contributed chapters to the following: Neo-Disneyism: Inclusivity in the Twenty-First Century of Disney’s Magic Kingdom (Oxford, 2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (Routledge, 2022), Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media(Palgrave, 2020); Neo-Gothic Narratives: Illusory Allusions from the Past (Anthem, 2020); Animals and Their Children in Victorian Culture (Routledge, 2019); and Reinventing Marie Corelli for the Twenty-first Century (Anthem 2019). The two cowrote A Vindication of the Redhead: The Typology of Red Hair Throughout the Literary and Visual Arts (Palgrave, 2021).
Danielle Mariann Dove is a Teaching Fellow in Nineteenth-Century Literature at the University of Surrey. Her research and publications centre on Victorian and neo-Victorian literature, with a specific focus on dress and fashion history, material culture, and literary celebrity. Her monograph on dress in neo-Victorian fiction is forthcoming with Bloomsbury Academic.

Textul de pe ultima copertă

Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.

Caracteristici

Covers a range of topics including fiction, life-writing, literary scholarship, film, and art
Explores the haptic turn in cultural and literary studies
Connects the study of materiality in Victorian and Neo-Victorian literature and culture