Cantitate/Preț
Produs

New Approaches to Cinematic Space: Routledge Advances in Film Studies

Editat de Filipa Rosário, Iván Villarmea Álvarez
en Limba Engleză Paperback – 30 sep 2020
New Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 25314 lei  6-8 săpt.
  Taylor & Francis – 30 sep 2020 25314 lei  6-8 săpt.
Hardback (1) 76060 lei  6-8 săpt.
  Taylor & Francis – 14 dec 2018 76060 lei  6-8 săpt.

Din seria Routledge Advances in Film Studies

Preț: 25314 lei

Preț vechi: 30437 lei
-17% Nou

Puncte Express: 380

Preț estimativ în valută:
4845 5111$ 4037£

Carte tipărită la comandă

Livrare economică 02-16 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780367663353
ISBN-10: 036766335X
Pagini: 268
Dimensiuni: 152 x 229 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction: Screen is the Place; ; Part 1: Urban Spaces; Memoryscapes: Mapping Urban Space through Amateur Film Archives; Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema; ; Part 2: Architectural Spaces; The Architectural Space Generated by Staircases in Alfred Hitchcock’s Films; Stranger than Paradise – Realities of Cinema, Architectural Imageries, circa 1956; ; Part 3: Genre Spaces; Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene; The Urban and the Domestic: Spaces of American Film Noir; Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949); ; Part 4: Spectral Spaces; Blinking Spaces in Contemporary Psychogeographical Documentaries; On the ‘Ghosts’ of Piramida: Ruins, Memory and Music; Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks’s As if...; ; Part 5: Heterotopic Spaces; On Location: Kiarostami’s Landscapes and Cinematic Value; Mapping Heterotopias in Colombian Documentary Film; Cinematographic Missions to the Portuguese Territory (1917-1918); ; Part 6: Phenomenology of Space; The Viewer’s Embodiment into Cinematic Space: Notes on a ‘Space-Image’ Cinema; Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujirō Ozu’s An Autumn Afternoon; Cinema, Allospaces and the Unfilmable; Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space; ; ;

Notă biografică



Filipa Rosário (Ph.D. Artistic Studies - Cinema Studies, University of Lisbon) is a researcher in the Centre for Comparative Studies (UL), where she coordinates the project ‘Cinema and the World - Studies on Space and Cinema’. She is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017).




Iván Villarmea Álvarez (Ph.D. History of Art, Universidad de Zaragoza) works as a researcher at Universidade de Santiago de Compostela. He has published the book Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film (2015) and co-edited the volume Jugar con la Memoria. El Cine Portugués en el Siglo XXI (2014).

Descriere

This book interprets the formal strategies used by filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces.