New Directions in Print Culture Studies: Archives, Materiality, and Modern American Culture
Editat de Professor or Dr. Jesse W. Schwartz, Daniel Wordenen Limba Engleză Paperback – 24 ian 2024
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 193.07 lei 6-8 săpt. | |
Bloomsbury Publishing – 24 ian 2024 | 193.07 lei 6-8 săpt. | |
Hardback (1) | 570.43 lei 6-8 săpt. | +122.33 lei 10-14 zile |
Bloomsbury Publishing – 13 iul 2022 | 570.43 lei 6-8 săpt. | +122.33 lei 10-14 zile |
Preț: 193.07 lei
Preț vechi: 250.30 lei
-23% Nou
Puncte Express: 290
Preț estimativ în valută:
36.95€ • 38.49$ • 30.72£
36.95€ • 38.49$ • 30.72£
Carte tipărită la comandă
Livrare economică 08-22 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781501393020
ISBN-10: 1501393022
Pagini: 320
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501393022
Pagini: 320
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Synthesizes work in 19th-century, 20th-century, transnational, and ethnic American studies, making a case for the importance of print culture studies to American cultural history
Notă biografică
Jesse W. Schwartz is Associate Professor of English at LaGuardia Community College, USA.Daniel Worden is Associate Professor of Art at the Rochester Institute of Technology, USA.
Cuprins
List of Figures Acknowledgments Introduction: Archives, Materiality, and Modern American Culture (Jesse W. Schwartz, LaGuardia Community College, USA, and Daniel Worden, Rochester Institute of Technology, USA) I. Print Culture's Past and Presents 1. Story-Paper Origins in the US: The Unknown Public and The New York Ledger (Ayendy Bonifacio, University of Toledo, USA) 2. "And They Think A Strike Is War": John Reed, Metropolitan Magazine, and Radical Seriality Against the Editors (Jesse W. Schwartz, LaGuardia Community College, USA) 3. Laying the Type of Revolution: Historicizing US Feminism in and through Print Culture (Agatha Beins, Texas Woman's University, USA) 4. The Instant Classic in the Age of Digital Print Culture: Claude McKay's Romance in Marseille(Gary Edward Holcomb, Ohio University, USA)5. The Real Productivity: Creative Refusal and Cultish Tendencies in Online Print Journal Communities(Michelle Chihara, Whittier College, USA) II. Archives, Exhibits, Images, and Sounds of Print Culture 6. Hold Still: "Redeemed" and Coming Undone(Monica Huerta, Princeton University, USA)7. Engraving Class: Gender, Race, and the Pictorial Politics of the 1877 General Strike (Justin Rogers-Cooper, LaGuardia Community College, USA)8. Sounding: Black Print Culture at the Edges of the Black Atlantic (Kristin Moriah, Queen's University, Canada) 9. "A Traveling Exhibition": Magazines and the Display and Circulation of Art in the Americas (Lori Cole, New York University, USA)10. Comics in the Archive: Approaches to the April 1956 Newsstand(Daniel Worden, Rochester Institute of Technology, USA, and Rebekah Walker)11. Icons and Archives: James Baldwin and the Practice of Celebrity(Robert F. Reid-Pharr, Harvard University, USA) III. Print Culture Studies in Practice 12. Reimagining Literary History and Why It Matters Now (Kelley Kreitz, Pace University, USA) 13. Anthologizing Alternatives: June Jordan and Toni Cade Bambara's Publishing Pedagogies (Danica Savonick, SUNY Cortland, USA) 14. Hybrid Scholarly Publishing Models in a Digital Age (Krystyna Michael, The CUNY Graduate Center, USA, Jojo Karlin, The CUNY Graduate Center, USA, and Matthew K. Gold, The CUNY Graduate Center, USA) Index
Recenzii
New Directions in Print Culture Studies delivers on the promise to make its reader see the field anew. This volume's illuminating case studies are deeply researched and theoretically sophisticated, intellectually honest and, at moments, delightfully weird. A wonderful overview for seasoned and curious scholars alike.
This rich collection both argues for and amply demonstrates the centrality of print culture to scholarship and pedagogy in the 21st century. In this volume, Schwartz and Worden give us an edgily political, unabashedly nerdy, and theoretically capacious conception of what print culture studies is and can be. The engaging and provocative essays found therein take up objects of inquiry from cartes de visites to bullet journals, from story papers to multimodal websites. They consider capitalism and counterpublics, comics and collections, sound and medium, celebrity and canonicity, multilingualism and hemispheric studies, pedagogy and activism. The clarity and precision of the chapters make this collection classroom-ready. These provocations will also serve as inspirations and entry points for scholars in the field hungry for just such an invitation to connect the print artifacts of the past in all their formal and material specificity to the urgent matters of the present. These "new directions" are awfully fun to explore.
An indispensable guide, New Directions in Print Culture Studies gathers 16 case studies that feature inventive enactments of and critical reflections on the methodologies that have enabled this radically interdisciplinary mode of analysis to transform scholarly production across the humanities and social sciences.
This rich collection both argues for and amply demonstrates the centrality of print culture to scholarship and pedagogy in the 21st century. In this volume, Schwartz and Worden give us an edgily political, unabashedly nerdy, and theoretically capacious conception of what print culture studies is and can be. The engaging and provocative essays found therein take up objects of inquiry from cartes de visites to bullet journals, from story papers to multimodal websites. They consider capitalism and counterpublics, comics and collections, sound and medium, celebrity and canonicity, multilingualism and hemispheric studies, pedagogy and activism. The clarity and precision of the chapters make this collection classroom-ready. These provocations will also serve as inspirations and entry points for scholars in the field hungry for just such an invitation to connect the print artifacts of the past in all their formal and material specificity to the urgent matters of the present. These "new directions" are awfully fun to explore.
An indispensable guide, New Directions in Print Culture Studies gathers 16 case studies that feature inventive enactments of and critical reflections on the methodologies that have enabled this radically interdisciplinary mode of analysis to transform scholarly production across the humanities and social sciences.