New Nonfiction Film: Art, Poetics, and Documentary Theory
Autor Dara Waldronen Limba Engleză Hardback – 8 aug 2018
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Specificații
ISBN-13: 9781501322495
ISBN-10: 1501322494
Pagini: 224
Ilustrații: 29 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.47 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501322494
Pagini: 224
Ilustrații: 29 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.47 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Adds a new category of choice to film studies, by establishing a typology of films that challenge, at their core, the classification of documentary and nonfiction film
Notă biografică
Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the "Dangerous" Film (2013).
Cuprins
Introduction New Nonfiction Film A Certain Ratio (of Negation) Acts of Experimentation . . . Nonfiction as a Speculative Mode of Inquiry: Subjectivity and the Films of Ben Rivers and Ben Russell Not Documentary . . . The Mechanistic "In Itself" / the Speculative Treatment of Subjectivity 1.A Film About a Film Within a Film Adapted from a Short Story . . . A Marriage of Form and Content "I Don't Care about the Other. I am the Other." 2. (Self as) Modèle Environments: Nonfiction Film Into the Abyss "What"- "Who" 3. The Utopian Promise: John Akomfrah's Poetics of the Archive The Time of Nonfiction A Poet (in and) of the Archive Back to a Future The Time for Promises Conclusion 4. "In My Mind, My Dreams are Real": Abbas Kiarostami and the Roots of New Nonfiction Film Before the Law The Becoming Reality of Fiction Kiarostami Meets Errol Morris/ Makhmalbaf Meets Sabzian Now, it's Nothing but Flowers Real Traumas/ Traumas of the Real: The Koker Trilogy The Marriage of Fiction and Non-Fiction5. After Kiarostami: Cinemas of (Speculative) NonfictionCinema of Trauma Trauma and Speculative Nonfiction In Search of the In-Itself A Documentary Fallacy The Earth Won't Listen 6. Nonfiction, the Cognitive Turn, and Chantal Akerman's D'Est (1993) Bordering on Fiction The Displaced m(Other) Metal Repairs 7. The Poetic Mode, Depiction and Nonfiction: Sense- Value and Gideon Koppel's Sleep Furiously(2007)To Document . . . (or) . . . to Depict To Speak or Not to Speak: The Double Entendre The Art of the Document Conclusion Cinema Will Save Us The Three S's A Final Note
Recenzii
An important book ... Refreshingly international in its references and framework. The book is at its best when it is engaged in close textual analysis informed by Bresson's modèle ... Rich in theoretical scope.
A much-needed stepping-stone in the unblurring of lines between documentary, nonfiction, and nonfiction film.
[Waldron] is a perceptive analyst, engaging closely with the discursive organisation of his chosen texts and the experience of viewing them, while showing a lively interest in bringing wide-ranging ideas to bear.
It is rare these days that a book delivers a new critical concept and category that completely transforms our understanding of cinema, but that's precisely what Dara Waldron does in New Nonfiction Film. Refusing the deadlock between the real and the fictive that has long circumscribed thinking about documentary, Waldron explores contemporary cinematic practices that seek truth by way of fiction. Through a series of revelatory readings of films by John Akomfrah, Chantal Akerman, Abbas Kiarostami, Pat Collins, and Ben Rivers, among others, Waldron's New Nonfiction Film identifies a poetics of the moving image that defines the boldest examples of contemporary filmmaking
Waldron's book offers a much needed contribution to the study of documentary as art. He explores the poetics of documentary by focusing on its outliers-art forms and experimentations-that have much to offer the ways we think about the changing nature of nonfiction film. New Nonfiction Film: Art, Poetics and Documentary Theory provides an important and lucid reference point in the expanding terrain of documentary studies and is the product of a deep engagement with a range of filmmakers and their work.
New Nonfiction Film explores the work of Chantal Akerman, John Akomfrah, and Abbas Kiarostami, among other boundary-pushing artists and directors. Combining close analysis with philosophical speculation, Dara Waldron shows how a growing number of films are orbiting the categories of both fiction and documentary, yet resisting the gravitational pull of each, in search of new trajectories. Questions of ethics, aesthetics, knowledge, and subjectivity all come to bear in this valuable contribution to documentary studies.
A much-needed stepping-stone in the unblurring of lines between documentary, nonfiction, and nonfiction film.
[Waldron] is a perceptive analyst, engaging closely with the discursive organisation of his chosen texts and the experience of viewing them, while showing a lively interest in bringing wide-ranging ideas to bear.
It is rare these days that a book delivers a new critical concept and category that completely transforms our understanding of cinema, but that's precisely what Dara Waldron does in New Nonfiction Film. Refusing the deadlock between the real and the fictive that has long circumscribed thinking about documentary, Waldron explores contemporary cinematic practices that seek truth by way of fiction. Through a series of revelatory readings of films by John Akomfrah, Chantal Akerman, Abbas Kiarostami, Pat Collins, and Ben Rivers, among others, Waldron's New Nonfiction Film identifies a poetics of the moving image that defines the boldest examples of contemporary filmmaking
Waldron's book offers a much needed contribution to the study of documentary as art. He explores the poetics of documentary by focusing on its outliers-art forms and experimentations-that have much to offer the ways we think about the changing nature of nonfiction film. New Nonfiction Film: Art, Poetics and Documentary Theory provides an important and lucid reference point in the expanding terrain of documentary studies and is the product of a deep engagement with a range of filmmakers and their work.
New Nonfiction Film explores the work of Chantal Akerman, John Akomfrah, and Abbas Kiarostami, among other boundary-pushing artists and directors. Combining close analysis with philosophical speculation, Dara Waldron shows how a growing number of films are orbiting the categories of both fiction and documentary, yet resisting the gravitational pull of each, in search of new trajectories. Questions of ethics, aesthetics, knowledge, and subjectivity all come to bear in this valuable contribution to documentary studies.