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New Places: Shakespeare and Civic Creativity

Editat de Dr Paul Edmondson, Ewan Fernie
en Limba Engleză Paperback – 30 oct 2019
New Places: Shakespeare and Civic Creativitydocuments and analyses the different ways in which a range of innovative projects take Shakespeare out into the world beyond education and the theatre. Mixing critical reflection on the social value of Shakespeare with new creative work in different forms and idioms, the volume triumphantly shows that Shakespeare can make a real contribution to contemporary civic life. Highlights include: Garrick's 1769 Shakespeare ode, its revival in 2016, and a devised performance interpretation of it; the full text of Carol Ann Duffy'sA Shakespeare Masque(set to music by Sally Beamish); a new Shakespearean libretto inspired by Wagner;an exploration of the civic potential of new Shakespeare opera and ballet; a fresh Shakespeare-inspired poetic liturgy, including commissions by major British poets; a production ofThe Merchant of Venicemarking the 500th anniversary of the Venetian Jewish Ghetto; and a remaking ofPericlesas a response to the global migrant crisis.
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Specificații

ISBN-13: 9781474244541
ISBN-10: 1474244548
Pagini: 320
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom

Caracteristici

A unique combination of criticism and creativity, analysing Shakespeare in the public arts in the key anniversary year of 2016

Notă biografică

Paul Edmondsonis Head of Research at The Shakespeare Birthplace Trust, a Trustee of the British Shakespeare Association, and Honorary Fellow of The Shakespeare Institute, University of Birmingham, UKEwan Fernieis Chair, Professor and Fellow at The Shakespeare Institute, University of Birmingham, UK.Contributors:Shaul Bassi, Sally Beamish, Silvia Bigliazzi, Hester Bradley, Katharine Craik, Michael Dobson, Carol Ann Duffy,Tobias Döring, Paul Fiddes, David Fuller, Graham Holderness, Jenny Lewis, Sinead Morrissey, Richard O'Brien, Micheal O'Siadhail, David Ruiter, Lawrence Sail, Katherine Scheil, Michael Symmons.

Cuprins

List of IllustrationsList of ContributorsPrefaceby Paul EdmondsonIntroductionby Ewan FerniePart I: After Garrick1.Reviving Garrick(includingAn ode upon dedicating a building, and erecting a statue, to Shakespeare, at Stratford upon Avonby David Garrick) by Michael Dobson2.A Shakespeare Masque: Reflections on an Anniversary Commission with Sally Beamish and Carol Ann Duffy (including the words ofA Shakespeare Masqueby Carol Ann Duffy) by Paul Edmondson3.Shakespeare Unbard:Negotiating Civic Shakespeareby Hester Bradley and Richard O'BrienPart II:New Places; New Forms4.Communities in the Theatre and in the World: Three Ballets and a Masqueby David Fuller 5.Seeing More Clearly with the Eyes of Love: A Liturgy for Voices based on 'A Midsummer Night's Dream'by Paul Fiddes and Andrew Taylor6. TheMarinaProject by Katharine Craik and Ewan FerniePart III:New Places: Europe7.Shakespeare's German Place: Weimar and the Jubilees, 1864/2014by Tobias Döring8. OnRomeo and Julietand Civic Crisis in Contemporary Verona by Silvia Bigliazzi9.Shylock in the Thinking Machine: Civic Shakespeare and the Future of Veniceby Shaul Bassi10.Mastersinger Shakespeare!by Paul EdmondsonPart III: New Places: North America11.New Places for Civic Shakespeare in Americaby Katherine Scheil12.Shakespeare and Theatre at the Civic Intersectionby David RuiterAfterwordby Graham HoldernessBibliographyNotesIndex

Recenzii

Demonstrating how Shakespeare remains relevant in the 21st century, this book is valuable for situating Shakespeare in non-traditional settings. Summing Up: Highly recommended.
At the crest of a coming wave of creative engagements with Shakespeare,New Placesre-sets the prepositions that situate us to his plays. Less interested in finding the meanings "in" or "around" Shakespeare,New Placesmakes meaning "through" and "with" his works, engaging communities outside the academy and rehearsing new perceptual possibilities for the place of art in the twenty-first century.
Taking its cue from the happy accident of Shakespeare's historic address in Stratford-upon-Avon -a house called 'New Place' - this exuberant collection of essays finds Shakespeare more recently resident in dozens of other 'new places'. 'Civic Shakespeare' is found amongst singers, dancers, masquers, refugees, schoolchildren,in a convent-turned-Sufi Centre, in the Venetian Ghetto and amongst townspeople.