No Future: Punk, Politics and British Youth Culture, 1976–1984
Autor Matthew Worleyen Limba Engleză Paperback – 20 sep 2017
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 150.69 lei 3-5 săpt. | |
| Cambridge University Press – 20 sep 2017 | 150.69 lei 3-5 săpt. | |
| Hardback (1) | 575.76 lei 6-8 săpt. | |
| Cambridge University Press – 20 sep 2017 | 575.76 lei 6-8 săpt. |
Preț: 150.69 lei
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Specificații
ISBN-13: 9781316625606
ISBN-10: 1316625605
Pagini: 414
Ilustrații: 26 b/w illus.
Dimensiuni: 163 x 234 x 19 mm
Greutate: 0.68 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
ISBN-10: 1316625605
Pagini: 414
Ilustrații: 26 b/w illus.
Dimensiuni: 163 x 234 x 19 mm
Greutate: 0.68 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
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Cuprins
List of figures; Acknowledgements; Introduction. Teenage warning: punk, politics and youth culture; 1. What's this for? Punk's contested meanings; 2. Rock and roll (even): punk as cultural critique; 3. Tell us the truth: reportage, realism and abjection; 4. Suburban relapse: the politics of boredom; 5. Who needs a parliament? Punk and politics; 6. Anatomy is not destiny: punk as personal politics I; 7. Big Man, Big M.A.N: punk as personal politics II; 8. No future: punk as dystopia; Conclusion. Alternatives: chaos and finish.
Recenzii
'Matthew Worley manages to strike a remarkable balance between vividly evoking punk's raucous rebellion, while also revealing how its aesthetics and politics disrupted the routines of British society. No Future is history as punk, and punk as history.' John Street, author of Music and Politics
'No Future cuts through the stodgy crust of nostalgia, self-serving memoir and fan-boy facts that conceals punk and reveals the truth of youth culture in late Seventies / early Eighties Britain: the internecine battles fought over issues of sound and style were inextricably linked to the political conflicts and dilemmas of that era. Digging deep into the fanzine squabbles and music press controversies that raged across the punk community, Matthew Worley brings to keen life the urgency of a period that felt at once like a terrifying crisis-time and the dawn of a new epoch delirious with radical possibilities. Giving Anarcho and Oi! the serious attention they've long deserved, and analysing this tumultuous time through perspectives that range from anti-consumerist boredom and feminist personal politics to media-critique and dystopian dread, No Future is an essential read for punk scholars and punk fans alike.' Simon Reynolds, author of Rip It Up and Start Again: Postpunk 1978–84 and Shock and Awe: Glam Rock and Its Legacy
'I've been involved with punk for most of my life but even for me it's easy to forget how diverse the whole movement was. This book reminded me of how exciting and different it all was and how 'real' punk had nothing to do with the media's myths. Look and learn my little droogs.' Steve Ignorant, former member of the band Crass
'A clear and engaged account of a complex and vexed topic.' Jon Savage, author of England's Dreaming
'Excellent account of how punk articulated itself as a political as well as musical force.' David Stubbs, Classic Rock
'Refreshing … Worley throws unfamiliar views and new perception on his well-worn subject.' Record Collector
'British punk sought to shock and disturb. The Sex Pistols, the Clash, the Damned, the Slits, the Nips, Fatal Microbes, and scores of other bands combined a do-it-yourself ethos of amateur musical artistry with outrageous lyrics that excoriated the sacred traditions of conventional society. Historian Worley has written a scholarly book that places this cultural phenomenon within its historical context. He explains the emergence of punk within the faltering British economy of the 1970s. He also details the complex relationship of this music with the politics of the era, including its appropriation by elements of both the Left and the Right. Punk luxuriated in its transgressions but struggled against its inevitable incorporation by a musical industry long accustomed to catering to youthful fashions. British punk's often desperate nonconformity imposed its own curiously restrictive expectations on alienated insurgents who, like other cultural rebels before them, eventually succumbed to yet another musical trend. Worley writes well, and his sober analysis becomes enlivened by sentences that include such phrases as 'McLaren's situationist roots revealed themselves through Bow Wow Wow'. Over 100 pages of footnotes and bibliography. Summing up: recommended.' D. L. LeMahieu, Choice
'No Future is not just a vivid history of punk but also a vibrant and revealing historical journey through a particularly knotty period of contemporary British history. The story of punk, and the way its politics engaged with an enormous variety of socio-cultural concerns, is firmly established here as an enjoyable and informative route into considering some major issues in modern British history.' Benjamin Bland, Twentieth Century British History
'… a richly textured work …' David Fowler, American Historical Review
'No Future cuts through the stodgy crust of nostalgia, self-serving memoir and fan-boy facts that conceals punk and reveals the truth of youth culture in late Seventies / early Eighties Britain: the internecine battles fought over issues of sound and style were inextricably linked to the political conflicts and dilemmas of that era. Digging deep into the fanzine squabbles and music press controversies that raged across the punk community, Matthew Worley brings to keen life the urgency of a period that felt at once like a terrifying crisis-time and the dawn of a new epoch delirious with radical possibilities. Giving Anarcho and Oi! the serious attention they've long deserved, and analysing this tumultuous time through perspectives that range from anti-consumerist boredom and feminist personal politics to media-critique and dystopian dread, No Future is an essential read for punk scholars and punk fans alike.' Simon Reynolds, author of Rip It Up and Start Again: Postpunk 1978–84 and Shock and Awe: Glam Rock and Its Legacy
'I've been involved with punk for most of my life but even for me it's easy to forget how diverse the whole movement was. This book reminded me of how exciting and different it all was and how 'real' punk had nothing to do with the media's myths. Look and learn my little droogs.' Steve Ignorant, former member of the band Crass
'A clear and engaged account of a complex and vexed topic.' Jon Savage, author of England's Dreaming
'Excellent account of how punk articulated itself as a political as well as musical force.' David Stubbs, Classic Rock
'Refreshing … Worley throws unfamiliar views and new perception on his well-worn subject.' Record Collector
'British punk sought to shock and disturb. The Sex Pistols, the Clash, the Damned, the Slits, the Nips, Fatal Microbes, and scores of other bands combined a do-it-yourself ethos of amateur musical artistry with outrageous lyrics that excoriated the sacred traditions of conventional society. Historian Worley has written a scholarly book that places this cultural phenomenon within its historical context. He explains the emergence of punk within the faltering British economy of the 1970s. He also details the complex relationship of this music with the politics of the era, including its appropriation by elements of both the Left and the Right. Punk luxuriated in its transgressions but struggled against its inevitable incorporation by a musical industry long accustomed to catering to youthful fashions. British punk's often desperate nonconformity imposed its own curiously restrictive expectations on alienated insurgents who, like other cultural rebels before them, eventually succumbed to yet another musical trend. Worley writes well, and his sober analysis becomes enlivened by sentences that include such phrases as 'McLaren's situationist roots revealed themselves through Bow Wow Wow'. Over 100 pages of footnotes and bibliography. Summing up: recommended.' D. L. LeMahieu, Choice
'No Future is not just a vivid history of punk but also a vibrant and revealing historical journey through a particularly knotty period of contemporary British history. The story of punk, and the way its politics engaged with an enormous variety of socio-cultural concerns, is firmly established here as an enjoyable and informative route into considering some major issues in modern British history.' Benjamin Bland, Twentieth Century British History
'… a richly textured work …' David Fowler, American Historical Review
Notă biografică
Descriere
An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development.