Northanger Abbey: ORIGINAL + UNGEKÜRZT

en Limba Engleză Digital – oct 2007

Der 17-jährige Backfisch Catherine Morland hat eine Vorliebe für Schauerromane. Als sie von den vornehmen Tilneys als Gesellschafterin auf ihr Anwesen, die Abtei von Northanger, eingeladen wird, siegt die Fantasie über ihre Vernunft. Catherine ist sich sicher, einem Mord auf der Spur zu sein, und bemerkt darüber nicht, dass sich Henry Tilney in sie verliebt hat. Die posthum erschienene Parodie auf die so populären Gothic Novels à la Ann Radcliffe aus der Feder der großen Dame der englischen Literatur.Donada Peters (eigentlich: Wanda McCaddon) hat in 25 Jahren weit über 500 Hörbücher aufgenommen, u.a. "Der Herr der Ringe". Für ihre hervorragenden Lesungen wurde sie vom "AudiofileMagazine" als "Golden Voice" und mit über einem Dutzend "Earphones Awards" ausgezeichnet. Wanda McCaddon spricht unter verschiedenen Pseudonymen.Die Hörbuchreihe ORIGINAL + UNGEKÜRZT des Bertz + Fischer Verlages präsentiert Klassiker und Meisterwerke der Weltliteratur - und zwar in der englischen Originalfassung, an die selbst gute Übersetzungen nicht heranreichen können. Hervorragende, teils mehrfach ausgezeichnete Sprecher lassen Stil und Atmosphäre der Originale lebendig werden. Ausnahmslos werden die Werke in voller Länge gelesen: Es gibt keine Kürzungen und Verfälschungen, wie man sie gerade bei Klassikern häufig findet. Wo möglich, folgen die Lesungen dem Text wissenschaftlicher Editionen. Dank des mp3-Formats passen die bis zu 15-stündigen Lesungen auf nur eine CD. Als Bonus gibt es den kompletten Originaltext als PDF-Datei, je einmal optimiert für den Bildschirm bzw. den Ausdruck. Verweise auf die Audiotracks in den PDF-Fassungen ermöglichen bequemes Mit- oder Nachlesen, und die Einteilung der Lesung in kurze Tracks von 5 Minuten erlaubt schnelles Navigieren.

Citește tot Restrânge

Toate formatele și edițiile

	Preț	Express
Paperback (95)	32^.19 lei 3-5 săpt.
Bantam Classics – 31 aug 1985	32^.19 lei 3-5 săpt.
OUP OXFORD – 11 sep 2024	33^.05 lei 10-16 zile	+14^.25 lei 7-13 zile
KUPERARD (BRAVO LTD) – iul 2002	37^.72 lei 3-4 săpt.
e-artnow – 13 dec 2018	39^.25 lei 3-5 săpt.
Penguin Random House Group – 31 dec 2000	41^.18 lei 3-5 săpt.
–	42^.02 lei 3-5 săpt.
Penguin Books – 28 noi 2012	42^.47 lei 23-34 zile	+16^.30 lei 7-13 zile
VINTAGE CLASSICS – 6 aug 2008	42^.68 lei 23-34 zile	+16^.60 lei 7-13 zile
UNION SQUARE & CO – 11 sep 2023	43^.51 lei 3-5 săpt.	+15^.89 lei 7-13 zile
Penguin Books – 26 mar 2003	43^.56 lei 23-34 zile	+18^.15 lei 7-13 zile
Alma Books COMMIS – 25 ian 2017	45^.77 lei 3-5 săpt.	+11^.20 lei 7-13 zile
CREATESPACE –	46^.10 lei 3-5 săpt.
VINTAGE CLASSICS – 30 iun 2014	48^.21 lei 23-34 zile	+18^.98 lei 7-13 zile
CreateSpace Independent Publishing Platform –	49^.23 lei 3-5 săpt.
Real Reads – 3 apr 2008	50^.34 lei 3-5 săpt.	+5^.59 lei 7-13 zile
Headline – 14 mai 2006	51^.68 lei 3-5 săpt.	+25^.30 lei 7-13 zile
CreateSpace Independent Publishing Platform –	53^.78 lei 3-5 săpt.
West Margin Press – 20 mai 2020	54^.25 lei 3-5 săpt.
CREATESPACE –	55^.02 lei 3-5 săpt.
CREATESPACE –	55^.79 lei 3-5 săpt.
SWEET CHERRY PUBLISHING – 11 sep 2019	56^.97 lei 3-5 săpt.	+7^.48 lei 7-13 zile
CREATESPACE –	60^.24 lei 3-5 săpt.
CREATESPACE –	61^.03 lei 3-5 săpt.
–	61^.26 lei 3-5 săpt.
CreateSpace Independent Publishing Platform – 28 feb 2010	61^.40 lei 3-5 săpt.
–	61^.57 lei 3-5 săpt.
CREATESPACE –	62^.85 lei 3-5 săpt.
–	63^.23 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	63^.88 lei 3-5 săpt.
CREATESPACE –	64^.33 lei 3-5 săpt.
CREATESPACE –	66^.02 lei 3-5 săpt.
–	66^.87 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	70^.54 lei 3-5 săpt.
CREATESPACE –	70^.69 lei 3-5 săpt.
Denton & White –	70^.72 lei 3-5 săpt.
CREATESPACE –	70^.78 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	72^.44 lei 3-5 săpt.
CREATESPACE –	73^.09 lei 3-5 săpt.
–	74^.45 lei 3-5 săpt.
–	76^.61 lei 3-5 săpt.
CANTERBURY CLASSICS – 9 mar 2017	83^.95 lei 3-5 săpt.
Universitas Press – 17 sep 2020	83^.96 lei 3-5 săpt.
–	84^.70 lei 3-5 săpt.
CREATESPACE –	88^.73 lei 3-5 săpt.
–	89^.05 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	95^.01 lei 3-5 săpt.
CREATESPACE –	97^.41 lei 3-5 săpt.
CREATESPACE –	98^.66 lei 3-5 săpt.
CREATESPACE –	112^.17 lei 3-5 săpt.
–	118^.55 lei 3-5 săpt.
–	127^.90 lei 3-5 săpt.
Outlook Verlag – 24 sep 2019	234^.30 lei 3-5 săpt.
Chump Change – 15 ian 2017	50^.34 lei 6-8 săpt.
CreateSpace Independent Publishing Platform –	56^.71 lei 6-8 săpt.
Tribeca Books – 31 aug 2011	57^.47 lei 6-8 săpt.
–	58^.12 lei 6-8 săpt.
–	62^.34 lei 6-8 săpt.
–	62^.36 lei 6-8 săpt.
–	64^.62 lei 6-8 săpt.
CREATESPACE –	64^.70 lei 6-8 săpt.
–	68^.84 lei 6-8 săpt.
–	70^.25 lei 6-8 săpt.
–	70^.25 lei 6-8 săpt.
SMK Books – 28 mai 2009	74^.12 lei 6-8 săpt.
–	80^.42 lei 6-8 săpt.
LIGHTNING SOURCE INC – 13 sep 2018	82^.94 lei 17-23 zile
Timcke & Company Limited – 28 sep 2017	83^.54 lei 6-8 săpt.
–	83^.87 lei 6-8 săpt.
CREATESPACE –	85^.04 lei 6-8 săpt.
Lulu – 30 sep 2007	88^.91 lei 6-8 săpt.
Tar & Feather Publishing – 29 mar 2017	89^.07 lei 6-8 săpt.
CreateSpace Independent Publishing Platform –	91^.35 lei 6-8 săpt.
Susan Publishing Ltd – 4 iul 2020	96^.11 lei 6-8 săpt.
Texas Public Domain – 4 iul 2020	96^.11 lei 6-8 săpt.
Mary Publishing Company – 4 iul 2020	96^.11 lei 6-8 săpt.
Yorkshire Public Books – 4 iul 2020	96^.11 lei 6-8 săpt.
Barclays Public Books – 4 iul 2020	96^.11 lei 6-8 săpt.
Public Publishing – 4 iul 2020	96^.11 lei 6-8 săpt.
Camel Publishing House – 4 iul 2020	96^.11 lei 6-8 săpt.
Toronto Public Domain Publishing – 4 iul 2020	96^.11 lei 6-8 săpt.
USA Public Domain Books – 4 iul 2020	96^.11 lei 6-8 săpt.
Public Public Books – 4 iul 2020	96^.11 lei 6-8 săpt.
1ST WORLD LIB INC – 31 dec 2004	98^.87 lei 6-8 săpt.
Blurb – 7 feb 2019	98^.94 lei 38-44 zile
Bottom of the Hill Publishing – 31 mai 2014	100^.14 lei 6-8 săpt.
Bibliotech Press – 26 feb 2020	101^.86 lei 6-8 săpt.
Samuel French Ltd – 26 apr 2015	102^.56 lei 6-8 săpt.
–	112^.05 lei 6-8 săpt.
Read & Co. Classics – 9 aug 2018	112^.78 lei 6-8 săpt.
Lulu Press Inc – 9 mar 2020	121^.32 lei 6-8 săpt.
–	131^.46 lei 6-8 săpt.
Sovereign – 8 iul 2012	137^.35 lei 38-44 zile
Wildhern Press – 14 sep 2009	149^.59 lei 38-44 zile
Book Jungle – 7 iun 2009	219^.45 lei 6-8 săpt.
Cambridge University Press – 29 mai 2013	220^.38 lei 6-8 săpt.
Hardback (18)	45^.78 lei 3-5 săpt.	+29^.68 lei 7-13 zile
Pan Macmillan – 11 iul 2016	45^.78 lei 3-5 săpt.	+29^.68 lei 7-13 zile
WORDSWORTH EDITIONS LTD – sep 2020	48^.04 lei 3-5 săpt.	+9^.71 lei 7-13 zile
Flame Tree Publishing – 14 oct 2019	58^.16 lei 3-5 săpt.	+24^.14 lei 7-13 zile
EVERYMAN – 7 oct 1992	71^.40 lei 23-34 zile
UNION SQUARE & CO – 19 iun 2024	80^.24 lei 3-5 săpt.	+16^.73 lei 7-13 zile
Penguin Books – 2 noi 2011	90^.76 lei 23-34 zile	+35^.37 lei 7-13 zile
chiltern publishing – 30 sep 2019	126^.75 lei 3-5 săpt.	+16^.80 lei 7-13 zile
Everyman's Library – 31 oct 1992	143^.55 lei 3-5 săpt.
Outlook Verlag – 24 sep 2019	368^.50 lei 3-5 săpt.
Outlook Verlag – 6 sep 2022	374^.36 lei 17-23 zile	+34^.52 lei 7-13 zile
Chump Change – 15 ian 2017	112^.98 lei 6-8 săpt.
LIGHTNING SOURCE INC – 7 apr 2013	164^.28 lei 17-23 zile
SMK Books – 2 apr 2018	170^.27 lei 6-8 săpt.
Ancient Wisdom Publications – 22 mai 2018	171^.61 lei 6-8 săpt.
–	178^.64 lei 6-8 săpt.
1ST WORLD LIB INC – 31 ian 2006	188^.17 lei 6-8 săpt.
Echo Library – 31 dec 2006	276^.06 lei 38-44 zile
Cambridge University Press – 18 oct 2006	743^.32 lei 6-8 săpt.

Din seria ORIGINAL + UNGEKÜRZT

Preț: 111^.97 lei
Preț: 95^.92 lei
Preț: 96^.50 lei
Preț: 97^.68 lei
Preț: 86^.58 lei
Preț: 112^.48 lei
Preț: 111^.81 lei
Preț: 85^.91 lei
Preț: 111^.60 lei
Preț: 95^.92 lei
Preț: 111^.67 lei
Preț: 111^.67 lei
Preț: 86^.72 lei
Preț: 85^.25 lei
Preț: 95^.70 lei
Preț: 111^.38 lei
Preț: 113^.69 lei
Preț: 111^.75 lei
Preț: 111^.67 lei
Preț: 111^.67 lei
Preț: 97^.76 lei
Preț: 111^.89 lei
Preț: 112^.19 lei
Preț: 112^.48 lei
Preț: 112^.48 lei
Preț: 85^.41 lei
Preț: 112^.98 lei
Preț: 114^.64 lei
Preț: 113^.14 lei
Preț: 111^.89 lei
Preț: 113^.77 lei
Preț: 112^.55 lei
Preț: 112^.70 lei
Preț: 113^.77 lei
Preț: 110^.88 lei
Preț: 113^.69 lei
Preț: 86^.72 lei
Preț: 85^.25 lei
Preț: 85^.25 lei

Preț: 111^.75 lei

Nou

Puncte Express: 168

:
21^.39€ • 23^.30$ • 17^.95£

Indisponibil temporar

Wish list
Gift list

Adaugă în listă

Doresc să fiu notificat când acest titlu va fi disponibil:

Trimite

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783865055194
ISBN-10: 3865055192
Dimensiuni: 142 x 127 x 12 mm
Greutate: 0.09 kg
Editura: Bertz + Fischer
Seria ORIGINAL + UNGEKÜRZT

Notă biografică

Jane Austen is arguably one of the best English novelists of our time, known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favorable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism, humor, and social commentary, have long earned her acclaim among critics, scholars, and popular audiences alike. With the publication of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two other novels, Northbnger Abbey and Persuasion, both published posthumously in 1818.Her six full-length novels have rarely been out of print, although they were published anonymously and brought her moderate success and little fame during her lifetime. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set. They gradually gained wider acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience.Austen began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript, the short epistolary novel Lady Susan, and another unfinished novel, The Watsons. These previous unpublished works are all here for your enjoyment. This edition also includes all of her private letters to really get into the psyche of Jane Austen and delve deeper into her personal life and what made the most prolific female writer of all time.

Extras

Chapter I

No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard—and he had never been handsome. He had a considerable independence, besides two good livings—and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as any body might expect, she still lived on—lived to have six children more—to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features;—so much for her person;—and not less unpropitious for heroism seemed her mind. She was fond of all boys’ plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take.—Such were her propensities—her abilities were quite as extraordinary. She never could learn or understand any thing before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the “Beggar’s Petition;” and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid,—by no means; she learnt the fable of “The Hare and many Friends,” as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinnet; so, at eight years old she began. She learnt a year, and could not bear it;—and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine’s life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother, or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another.—Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character!—for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper; was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.

Such was Catherine Morland at ten. At fifteen, appearances were mending; she began to curl her hair and long for balls; her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave way to an inclination for finery, and she grew clean as she grew smart; she had now the pleasure of sometimes hearing her father and mother remark on her personal improvement. “Catherine grows quite a good-looking girl,—she is almost pretty to day,” were words which caught her ears now and then; and how welcome were the sounds! To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive.

Mrs. Morland was a very good woman, and wished to see her children every thing they ought to be; but her time was so much occupied in lying-in and teaching the little ones, that her elder daughters were inevitably left to shift for themselves; and it was not very wonderful that Catherine, who had by nature nothing heroic about her, should prefer cricket, base ball, riding on horseback, and running about the country at the age of fourteen, to books—or at least books of information—for, provided that nothing like useful knowledge could be gained from them, provided they were all story and no reflection, she had never any objection to books at all. But from fifteen to seventeen she was in training for a heroine; she read all such works as heroines must read to supply their memories with those quotations which are so serviceable and so soothing in the vicissitudes of their eventful lives.

From Pope, she learnt to censure those who

“bear about the mockery of woe.”

From Gray, that

“Many a flower is born to blush unseen, “And waste its fragrance on the desert air.”

From Thompson, that

——“It is a delightful task “To teach the young idea how to shoot.”

And from Shakspeare she gained a great store of information—amongst the rest, that

———“Trifles light as air, “Are, to the jealous, confirmation strong, “As proofs of Holy Writ.”

That “The poor beetle, which we tread upon, “In corporal sufferance feels a pang as great “As when a giant dies.”

And that a young woman in love always looks ——“like Patience on a monument “Smiling at Grief.”

So far her improvement was sufficient—and in many other points she came on exceedingly well; for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte, of her own composition, she could listen to other people’s performance with very little fatigue. Her greatest deficiency was in the pencil—she had no notion of drawing—not enough even to attempt a sketch of her lover’s profile, that she might be detected in the design. There she fell miserably short of the true heroic height. At present she did not know her own poverty, for she had no lover to pourtray. She had reached the age of seventeen, without having seen one amiable youth who could call forth her sensibility; without having excited one real passion, and without having excited even any admiration but what was very moderate and very transient. This was strange indeed! But strange things may be generally accounted for if their cause be fairly searched out. There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.

But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.

Mr. Allen, who owned the chief of the property about Fuller- ton, the village in Wiltshire where the Morlands lived, was ordered to Bath for the benefit of a gouty constitution;—and his lady, a good- humoured woman, fond of Miss Morland, and probably aware that if adventures will not befall a young lady in her own village, she must seek them abroad, invited her to go with them. Mr. and Mrs. Morland were all compliance, and Catherine all happiness.

From the Trade Paperback edition.

Recenzii

"Jane Austen is the pinnacle to which all other authors aspire" -- J.K. Rowling "Somebody reading over my shoulder refuses to believe that I found Northanger Abbey funnier than Catch 22, but I did. So there" -- Jenny Colgan "The most perfect artist among women, the writer whose books are immortal" -- Virginia Woolf "Jane Austen's lightest and most playful novel" Independent "Jane Austen shocks me. Beside her, Joyce seems innocent as grass" -- W.H. Auden

Descriere

Descriere de la o altă ediție sau format:

Catherine Morland is modest and well mannered, more comfortable reading her novels than socializing with people. When she is unexpectedly invited to the English resort city of Bath for the winter season, where many wealthy families reside, Catherine seizes the opportunity. Eager to create some excitement in her life, Catherine will not miss the doldrums of her home in the countryside.

Catherine quickly makes friends with Isabella Thorpe, a coquettish young woman who has a predilection for spreading gossip. Quirky, outspoken, and with her nose in everybody's business, Isabella is the complete opposite in personality to Catherine. Soon after her arrival in Bath, Catherine is invited by a family called the Tilneys to stay for a few weeks at their home, Northanger Abbey. Excited for the prospect of living out the very same circumstances as in her beloved gothic novels, Catherine is in for a rather rude awakening.

From attending dances, to socializing with members of the upper-class, to investigating a mysterious wing of the old manor that no one is allowed to enter, Catherine escapes her sheltered life for one that is crowded with love, mystery, and betrayal. When she is finally forced to return home from Northanger Abbey, she is left with her wild imagination and a longing for her own chance at love. Worried she has spent too much time with her nose in a book, Catherine is faced with a stark reality-check, she must grow up fast or fear ending up alone.

Northanger Abbey parodies the traditional gothic novel in subtle ways. With references to Ann Radcliffe's gothic novels The Romance of the Forest and The Mysteries of Udolpho, Jane Austen created the character of Catherine to remind the reader to be weary of an overactive imagination and that one must exercise caution when decoding what is true as well as what we want to believe is true.

With an eye-catching new cover, and a professionally type-set manuscript, this revised edition of Northanger Abbey is both modern and readable. Now in a collectable set, read all the great Austen classics from Mint Editions Books.

Caracteristici

Includes pictures and a comprehensive section on Austen's life and works

Cuprins

General Editor's preface; Acknowledgments; Chronology; Introduction; Note on the text; Northanger Abbey; Appendix: summaries and extracts from Ann Radcliffe's novels; Corrections and emendations to 1818 text; List of abbreviations; Explanatory notes.

Textul de pe ultima copertă

Six weeks of shopping, taking tea with the most fashionable ladies and dancing with the most handsome gentlemen is what awaits young Catherine Morland when she makes her entree into the leisure society at Bath. But, oh, the thrill of an unexpected invitation from the mysterious Tilney family to stay at their home-a veritable abbey.

Papetărie, jocuri, reviste