Nova Express: The Restored Text: Penguin Modern Classics
Autor William S. Burroughs Editat de Oliver Harrisen Limba Engleză Paperback – 21 apr 2014
Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals howNova Expresswas cut from an extraordinary wealth of typescripts to create startling new forms of poetic possibility.
The third book of Burroughs' linguistically prophetic 'cut-up' trilogy - followingThe Soft MachineandThe Ticket That Exploded- Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.
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Paperback (2) | 63.67 lei 22-36 zile | +9.67 lei 5-11 zile |
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Specificații
ISBN-13: 9780141396064
ISBN-10: 0141396067
Pagini: 320
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.24 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0141396067
Pagini: 320
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.24 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
William
S
Burroughs
(Author)
William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books includeNaked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.
Oliver Harris (External Editor)
Oliver Harris is professor of American literature at Keele University and the editor ofThe Letters of William S. Burroughs, 1945-1959(1993),Junky: the Definitive Text of "Junk"(2003),The Yage Letters Redux(2006), andEverything Lost: The Latin American Notebook of William S. Burroughs(2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the bookWilliam Burroughs and the Secret of Fascination(2003). He is currently co-editingNaked Lunch@50: Anniversary Essays(2009) and working on a new twenty-fifth anniversary edition ofQueer(forthcoming in 2010).
William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books includeNaked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.
Oliver Harris (External Editor)
Oliver Harris is professor of American literature at Keele University and the editor ofThe Letters of William S. Burroughs, 1945-1959(1993),Junky: the Definitive Text of "Junk"(2003),The Yage Letters Redux(2006), andEverything Lost: The Latin American Notebook of William S. Burroughs(2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the bookWilliam Burroughs and the Secret of Fascination(2003). He is currently co-editingNaked Lunch@50: Anniversary Essays(2009) and working on a new twenty-fifth anniversary edition ofQueer(forthcoming in 2010).
Recenzii
“A sermon blast of language. . . . Burroughs is the Martin Luther of hipsterism, welding his decree on the silicon doors of the solar system.”—Newsweek
“Hypnotic . . . outrageous. [Burroughs] can think of the wildest parodies of erotic exuberance and invent the weirdest places for demonstrating them.” —Harper’s
“Burroughs is first and foremost a poet. His attunement to contemporary language is probably unequalled in American writing. Anyone with a feeling for English phrase at its most balanced, concise, and arresting, cannot fail to see this excellence.”—Terry Southern
“Burroughs writes with a beauty and efficiency unmatched by any living writer.”—Chicago Sun-Times
“Macabre, funny, reverberant, grotesque.”—The New York Review of Books
“Hypnotic . . . outrageous. [Burroughs] can think of the wildest parodies of erotic exuberance and invent the weirdest places for demonstrating them.” —Harper’s
“Burroughs is first and foremost a poet. His attunement to contemporary language is probably unequalled in American writing. Anyone with a feeling for English phrase at its most balanced, concise, and arresting, cannot fail to see this excellence.”—Terry Southern
“Burroughs writes with a beauty and efficiency unmatched by any living writer.”—Chicago Sun-Times
“Macabre, funny, reverberant, grotesque.”—The New York Review of Books