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O sacrum convivium de Jan Pieterszoon Sweelinck

O sacrum convivium: Church Music Society publications

Compozitor Jan Pieterszoon Sweelinck Editat de Patrick Russill
en Limba Engleză Sheet music – 26 noi 2009
for SATTB and organ continuoContinuing the Church Music Society series of Sweelinck motets, O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The middle section in triple time leads into a joyous 'Alleluia'.
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Specificații

ISBN-13: 9780193950191
ISBN-10: 0193950197
Pagini: 12
Dimensiuni: 178 x 254 x 1 mm
Greutate: 0.03 kg
Ediția:Vocal score
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Church Music Society publications

Locul publicării:OXFORD, United Kingdom

Recenzii

The edition is excellent, with brief notes on the composers, source, editorial method, text and translation, and performance suggestions. The music of both pieces is splendid.
If you think of Sweelinck as a keyboard composer only, prepare for a welcome surprise! . . .They are composed in a strong polyphonic idiom typical of the late Renaissance. The five voices may be supported by organ continuo (a realization is provided in this edition), but the pieces may be performed successfully a cappella. Beati pauperes is in two main sections (the secunda pars follows a perfect cadence), while O sacrum convivium has a joyful section in triple-time before quadruple metre returns for the ingeniously contrapuntal Alleluias that close the motet. Choirs with the resources and skills to perform these works will surely find them excellent additions to their repertoire.

Notă biografică

Jan Pieterszoon Sweelinck (1562-1621) was a Dutch composer, organist and sought-after teacher. Sweelinck, whose surname comes from his mother's side, was from a family of musicians and organists. He was loyal to his post as Organist of the Oude Kerk in Amsterdam from 1580 until his death. Chiefly known for his keyboard music, which includes toccatas and fantasias, Sweelinck is known for championing a new fugal style and was famed for his improvisations. The north German organ school championed by Sweelinck and his German pupils made a significant impression on later keyboard composition masters such as J. S. Bach. His vocal style, whilst more conservative than his keyboard works, demonstrates a skilful handling of the contemporary contrapuntal choral style.