Odd Affinities: Virginia Woolf's Shadow Genealogies
Autor Professor Elizabeth Abelen Limba Engleză Paperback – 19 apr 2024
In recent decades, Virginia Woolf’s contribution to literary history has been located primarily within a female tradition. Elizabeth Abel dislodges Woolf from her iconic place within this tradition to uncover her shadowy presence in other literary genealogies. Abel elicits unexpected echoes of Woolf in four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. By mapping the wayward paths of what Woolf called “odd affinities” that traverse the boundaries of gender, race, and nationality, Abel offers a new account of the arc of Woolf’s career and the transnational modernist genealogy constituted by her elusive and shifting presence. Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, gender and sexuality studies, and African American studies.
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Specificații
ISBN-13: 9780226832678
ISBN-10: 0226832678
Pagini: 304
Ilustrații: 15 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.4 kg
Ediția:First Edition
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226832678
Pagini: 304
Ilustrații: 15 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.4 kg
Ediția:First Edition
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Elizabeth Abel is the John F. Hotchkis Professor of English at the University of California, Berkeley. She is the author of Virginia Woolf and the Fictions of Psychoanalysis and Signs of the Times: The Visual Politics of Jim Crow and the editor or coeditor of four collections, most recently, Female Subjects in Black and White: Race, Psychoanalysis, Feminism.
Cuprins
List of Figures
Acknowledgments
Introduction: Woolf Tracks
Part I: Woolf’s Room in African American Modernism
Chapter 1: Mrs. Dalloway in Harlem: Passing’s Contending Modernisms
Chapter 2: The Smashed Mosaic: Woolf’s Traces in Baldwin’s Oeuvre
Part II: Woolf’s Refuge in Late European Modernism
Chapter 3: Light Rooms: Virginia Woolf, Roland Barthes, and the Mediums of Maternal Mourning
Chapter 4: Invisible Subjects: Woolf’s Flickering in Sebald’s Austerlitz
Afterword: Vibrations and Visibility
List of Abbreviations
Notes
Index
Acknowledgments
Introduction: Woolf Tracks
Part I: Woolf’s Room in African American Modernism
Chapter 1: Mrs. Dalloway in Harlem: Passing’s Contending Modernisms
Chapter 2: The Smashed Mosaic: Woolf’s Traces in Baldwin’s Oeuvre
Part II: Woolf’s Refuge in Late European Modernism
Chapter 3: Light Rooms: Virginia Woolf, Roland Barthes, and the Mediums of Maternal Mourning
Chapter 4: Invisible Subjects: Woolf’s Flickering in Sebald’s Austerlitz
Afterword: Vibrations and Visibility
List of Abbreviations
Notes
Index
Recenzii
"For Abel the ideal Woolf is imperfect and relative to the moment, 'rather than an icon frozen in time'. . . . Abel’s Woolf speaks in new contexts: in African American modernism, in relation to postwar trauma. At times the author’s bravura, intricate arguments feel almost deliberately baroque, as if she wants to stress that any effort to resituate Woolf is, after all, the work of reading. . . . Perhaps this is all that can be done with a figure so thoroughly read: continue to listen for all her resonances, as well as the notes that do not sound clearly."
“What a joy it is to think alongside Elizabeth Abel, our most brilliant critic of Virginia Woolf’s fiction. A work of gentle genius, Odd Affinities brims with startling readings of Woolf’s hidden presence in the writings of Larsen, Baldwin, Barthes, and Sebald. It is a delight to agree with Abel, and a delight to disagree with her too, as the very act of disagreement surfaces other odd affinities. I will return to this astonishing book again and again.”
“Challenging caricatures of Woolf as an insular British writer, Elizabeth Abel’s strikingly original case studies show how the work of this touchstone figure inspires artists across race, class, sex, gender, national, and generational differences and resonates at deep levels in their imaginative and theoretical writings. Odd Affinities captures fascinating sotto voce literary conversations—the remarkable fruits of Abel’s free, organic adventure in scholarly reading—and enhances our understanding of literary influence as such.”
“Elizabeth Abel’s startling mode of literary genealogy reveals how Woolf’s modernist work, in both content and form, shaped some of the most significant literature of the twentieth century. Odd Affinities does not simply bring Woolf’s writing into dialogue with Larsen, Baldwin, Barthes, and Sebald; it invites us to listen to the whispered conversations her work was already having with these writers as they produced their major works, and we are left wondering how and why we missed the Woolfian influence on these diverse oeuvres for so long.”