Oklahoma!: The Making of an American Musical
Autor Tim Carteren Limba Engleză Hardback – 28 apr 2007
A complete behind-the-scenes look at the landmark show that launched Rodgers and Hammerstein’s creative partnership
Oklahoma! premiered on Broadway in 1943 under the auspices of the Theatre Guild, and today it is performed more frequently than any other Rodgers and Hammerstein musical. In this book Tim Carter offers the first fully documented history of the making of this celebrated American musical. Drawing on research from rare theater archives, manuscripts, journalism, and other sources, Carter records every step in the development of Oklahoma! The book is filled with rich and fascinating details about how Rodgers and Hammerstein first came together, the casting process, how Agnes de Mille became the show’s choreographer, and the drafts and revisions that ultimately gave the musical its final shape. Carter also shows the lofty aspirations of both the creators and producers and the mythmaking that surrounded Oklahoma! from its very inception, and demonstrates just what made it part of its times.
Oklahoma! premiered on Broadway in 1943 under the auspices of the Theatre Guild, and today it is performed more frequently than any other Rodgers and Hammerstein musical. In this book Tim Carter offers the first fully documented history of the making of this celebrated American musical. Drawing on research from rare theater archives, manuscripts, journalism, and other sources, Carter records every step in the development of Oklahoma! The book is filled with rich and fascinating details about how Rodgers and Hammerstein first came together, the casting process, how Agnes de Mille became the show’s choreographer, and the drafts and revisions that ultimately gave the musical its final shape. Carter also shows the lofty aspirations of both the creators and producers and the mythmaking that surrounded Oklahoma! from its very inception, and demonstrates just what made it part of its times.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 220.72 lei 10-16 zile | |
Oxford University Press – 22 sep 2020 | 220.72 lei 10-16 zile | |
Hardback (2) | 449.84 lei 6-8 săpt. | |
Yale University Press – 28 apr 2007 | 449.84 lei 6-8 săpt. | |
Oxford University Press – 29 oct 2020 | 657.16 lei 31-37 zile |
Preț: 449.84 lei
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Specificații
ISBN-13: 9780300106190
ISBN-10: 030010619X
Pagini: 352
Ilustrații: 20 b-w ills., 2 mus. ex.
Dimensiuni: 156 x 235 x 25 mm
Greutate: 0.71 kg
Editura: Yale University Press
Colecția Yale University Press
ISBN-10: 030010619X
Pagini: 352
Ilustrații: 20 b-w ills., 2 mus. ex.
Dimensiuni: 156 x 235 x 25 mm
Greutate: 0.71 kg
Editura: Yale University Press
Colecția Yale University Press
Notă biografică
Tim Carter is David G. Frey Distinguished Professor of Music and chair of the Music Department, University of North Carolina at Chapel Hill. Among his previous books is Monteverdi’s Musical Theatre, published by Yale University Press. He lives in Chapel Hill.
Recenzii
"Carter's book is full of new and very significant and exciting discoveries, many of which contradict firmly entrenched mythologies, half truths, and even fascinating calculated falsehoods."—Geoffrey Block, General Editor, Yale Broadway Masters, and author of Richard Rodgers
"Carter's book. . . [is a] useful contribution to current scholarship on musical theatre."—Diana Calderazzo, Theatre Journal
"With meticulous archival research, Carter recasts the musical, debunking many of its myths while upholding others. . . . [An] engaging book."—Pamella R. Lach, Register of the Kentucky Historical Society
"Intriguing. . . . Carter's virtuosic handling of archival material, forming the basis of an astonishingly detailed narrative account, sets his study apart."—Elizabeth A. Wells, Journal of the American Musicological Society
Descriere
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First published in 2007, "Oklahoma!": The Making of an American Musical tells the full story of the beloved Rodgers and Hammerstein musical. Author Tim Carter examines archival materials, manuscripts, and journalism, and the lofty aspirations and mythmaking that surrounded the musical from its very inception. The book made for a watershed moment in the study of the American musical: the first well-researched, serious musical analysis of this landmark show by a musicologist, it was also one of the first biographies of a musical, transforming a field that had previously tended to orient itself around creators rather than creations.In this new and fully revised edition, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used - and annotated - throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including the original play on which it was based (Lynn Riggs's Green Grow the Lilacs) and the Theatre Guild's Theresa Helburn and Lawrence Langner, who fatefully brought Rodgers and Hammerstein together for their first collaboration. The crucial new perspectives these revisions and additions provide make this edition of Carter's seminal work a compulsory purchase for all teachers, students, and lovers of musical theater.
First published in 2007, "Oklahoma!": The Making of an American Musical tells the full story of the beloved Rodgers and Hammerstein musical. Author Tim Carter examines archival materials, manuscripts, and journalism, and the lofty aspirations and mythmaking that surrounded the musical from its very inception. The book made for a watershed moment in the study of the American musical: the first well-researched, serious musical analysis of this landmark show by a musicologist, it was also one of the first biographies of a musical, transforming a field that had previously tended to orient itself around creators rather than creations.In this new and fully revised edition, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used - and annotated - throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including the original play on which it was based (Lynn Riggs's Green Grow the Lilacs) and the Theatre Guild's Theresa Helburn and Lawrence Langner, who fatefully brought Rodgers and Hammerstein together for their first collaboration. The crucial new perspectives these revisions and additions provide make this edition of Carter's seminal work a compulsory purchase for all teachers, students, and lovers of musical theater.