On Writtenness: The Cultural Politics of Academic Writing
Autor Professor Joan Turneren Limba Engleză Paperback – 18 sep 2019
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Specificații
ISBN-13: 9781350133044
ISBN-10: 1350133043
Pagini: 296
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350133043
Pagini: 296
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Conceptually concretizes an implicit system attached to the reception of written work in higher education
Notă biografică
Joan Turner is Emeritus Professor in the Department of English and Comparative Literature, and former Director of the Centre for English Language and Academic Writing, Goldsmiths, University of London, UK.
Cuprins
1. On writtenness and the stability of style: the perennial prerequisite of polished prose2. On writtenness in English on the geopolitical stage3. On writtenness and tutor-student interaction in the international university4. On writtenness as a smooth read: the cultural aesthetics of reading5. On the intellectual labour of writtenness6. On theorizing writtenness7. On writtenness and the ideological role of proofreading8.On writtenness: a contested pedagogical space9. On promoting a multi-accented writtennessReferencesIndex
Recenzii
Written language has long been an orphan in the study of language. Joan Turner, a uniquely qualified voice in this field, shows how detailed attention to it raises fundamental theoretical issues, of consequence for the entire field of language, culture and society. This elegant and compelling text is sure to raise major, and long overdue, crossdisciplinary debates - a rare achievement.
In this timely work Joan Turner interrogates the concept of 'writtenness' in its philosophical, historical and sociological contexts ranging from John Locke to Pierre Bourdieu. Not since the textual dichotomy between form and content was opened up and critiqued by Barthes and Derrida has the idea achieved so much scrutiny. Turner successfully demonstrates the highly political implications of this ideological complex within contemporary higher education
I have enormous regard for the originality of Turner's argument around "writtenness" and the wide-ranging historical, philosophical, theoretical, rhetorical, and pedagogical resources she brings to bear on her examination of this key term. As a practitioner, she reveals a keen understanding of the implications for student writers from differing lingua-cultural backgrounds who may not have had access to the conventions required to produce a "smooth read" and for tutors whose intellectual work is minimized by demands for "proofreading" and "pristine" prose. Turner's book should be a must-read for scholars seeking to understand the complex causes and layers of our expectations for "good writing" and the "virtuous rightness" it has come to embody over the centuries. Her argument-that we must replace our expectations for a smooth read with a more open interpretive stance, even though that may mean coping with a "rougher ride"-will resonate with scholar-teachers engaged in translingual work.
In this timely work Joan Turner interrogates the concept of 'writtenness' in its philosophical, historical and sociological contexts ranging from John Locke to Pierre Bourdieu. Not since the textual dichotomy between form and content was opened up and critiqued by Barthes and Derrida has the idea achieved so much scrutiny. Turner successfully demonstrates the highly political implications of this ideological complex within contemporary higher education
I have enormous regard for the originality of Turner's argument around "writtenness" and the wide-ranging historical, philosophical, theoretical, rhetorical, and pedagogical resources she brings to bear on her examination of this key term. As a practitioner, she reveals a keen understanding of the implications for student writers from differing lingua-cultural backgrounds who may not have had access to the conventions required to produce a "smooth read" and for tutors whose intellectual work is minimized by demands for "proofreading" and "pristine" prose. Turner's book should be a must-read for scholars seeking to understand the complex causes and layers of our expectations for "good writing" and the "virtuous rightness" it has come to embody over the centuries. Her argument-that we must replace our expectations for a smooth read with a more open interpretive stance, even though that may mean coping with a "rougher ride"-will resonate with scholar-teachers engaged in translingual work.