Cantitate/Preț
Produs

One, None and a Hundred Thousand: General Press

Autor Luigi Pirandello
en Limba Engleză Paperback – 31 aug 2020
Nobel prize-winning Luigi Pirandello's classic novel on the nature of identity brims with sly humor, compelling drama, and skillfully depicted, oddly modern characters-all capped with timeless insight into the fragile human psyche. Luigi Pirandello's extraordinary final novel begins when Vitangelo Moscarda's wife remarks that Vitangelo's nose tilts to the right. This commonplace interaction spurs the novel's unemployed, wealthy narrator to examine himself, the way he perceives others, and the ways that others perceive him. At first he only notices small differences in how he sees himself and how others do; but his self-examination quickly becomes relentless, dizzying, leading to often darkly comic results as Vitangelo decides that he must demolish that version of himself that others see.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (5) 4740 lei  6-8 săpt.
  www.bnpublishing.com – 23 feb 2022 7107 lei  3-5 săpt.
  Must Have Books – 12 noi 2022 4740 lei  6-8 săpt.
  Quick Time Press – 29 noi 2019 6971 lei  6-8 săpt.
  General Press – 31 aug 2020 9665 lei  6-8 săpt.
  Martino Fine Books – 15 mai 2017 15066 lei  38-44 zile
Hardback (1) 12448 lei  6-8 săpt.
  Quick Time Press – 28 noi 2019 12448 lei  6-8 săpt.

Din seria General Press

Preț: 9665 lei

Nou

Puncte Express: 145

Preț estimativ în valută:
1850 1906$ 1562£

Carte tipărită la comandă

Livrare economică 01-15 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789389716337
ISBN-10: 9389716330
Pagini: 210
Dimensiuni: 133 x 203 x 13 mm
Greutate: 0.25 kg
Editura: General Press
Colecția General Press
Seria General Press


Descriere

Descriere de la o altă ediție sau format:

2017 Reprint of 1933 Edition.  Full facsimile of the original edition, not reproduced with Optical Recognition software.  Pirandello began writing it in 1909. In an autobiographical letter, published in 1924, the author refers to this work as the "...bitterest of all, profoundly humoristic, about the decomposition of life….”  Vitangelo, the protagonist, discovers by way of a completely irrelevant question that his wife poses to him that everyone he knows, and everyone he has ever met, has constructed a Vitangelo persona in their own imagination and that none of these personas corresponds to the image of Vitangelo that he himself has constructed and believes himself to be.  The reader is immediately immersed in a cruel game of confusing projections, mirroring the reality of social existence itself, which imperiously dictate their rules.  As a result, the first, ironic "awareness" of Vitangelo consists in the knowledge of that which he definitely is not; the preliminary operation must therefore consist in the spiteful destruction of all of these fictitious masks.