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Organists and Organ Playing in Nineteenth–Century France and Belgium

Autor Orpha Ochse
en Limba Engleză Paperback – 21 aug 2000
Now in paperback
Organists and Organ Playing in Nineteenth-Century France and Belgium
Orpha Ochse
From the catastrophes of the French Revolution to a Golden Age of organ culture.
" O]ne simply must recommend this highly coherent and well-illustrated book...." L Orgue
"Even the well-informed reader will find a number of surprises. Who knows, for example, that Fryderyk Chopin played the organ for a funeral service and that Lefebure-Wely, in turn, played the great pianist and composer s Preludes for his funeral at the Madeleine? The abundance of details, we should add, does nothing to obscure the architectural clarity of this book." La Flute harmonique
"Now Ms. Ochse has succeeded in producing still another landmark work.... Although the work is extraordinarily well documented, the prose retains a narrative quality throughout, at times even taking on the character of good storytelling." The American Organist
Orpha Ochse, Professor Emerita at Whittier College, is author of The History of the Organ in the United States (Indiana University Press). She is well known as a teacher, lecturer, recitalist, and church musician."
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Specificații

ISBN-13: 9780253214232
ISBN-10: 0253214238
Pagini: 288
Ilustrații: 36 b&w photos, 3 illustrations
Dimensiuni: 155 x 233 x 18 mm
Greutate: 0.46 kg
Editura: MH – Indiana University Press

Notă biografică


Textul de pe ultima copertă

The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.

Cuprins

Preface
Acknowledgments
I. Prelude: Music for a Revolution
Part One: Performers and Programs
II. In the Wake of the Storm: 1800-1809
III. Years of Rebuilding: 1810-29
IV. The Romantic Dawn: The 1830s
V. Contrasts, Conflicts, and Conquests: The 1840s
VI. Mid-Century Masters and Their Programs
VII. New Horizons: The 1860s
VIII. Tragedy to Triumph: The 1870s
IX. Renaissance Achieved: The 1880s
X. Years of Fulfillment: The 1890s
Part Two: The Organist as Church Muscian
XI. Historical Background
XII. Organ and Liturgy
XIII. Notes on the Repertoire
Part Three: Great Schools and Famous Teachers
XIV. The Paris Conservatory Organ Class: Sejan to Franck
XV. The Brussels Conservatory Organ Class: Fetis to Mailly
XVI. Lemmens, a Closer Look
XVII. Widor as Teacher
XVIII.Guilmant as Teacher
XIX. The Niedermeyer School
XX. Organ Study at the Niedermeyer and Gigout Schools
XXI. The Schola Cantorum
XXII. Postlude
Appendix A. Organ Performers by Cesar Franck
Appendix B. Students in Franck's Organ Class
Appendix C. Oragan Performers by Camille Saint-Saens
Bibliography
Notes
Index