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Origin and Ellipsis in the Writing of Hilary Mantel: An Elliptical Dialogue with the Thinking of Jacques Derrida: Routledge Studies in Contemporary Literature

Autor Eileen Pollard
en Limba Engleză Paperback – 30 iun 2021
Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length study of Mantel’s writing, not just in terms of Derrida’s thought, but through any critical perspective or lens to date.
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Specificații

ISBN-13: 9781032093116
ISBN-10: 1032093110
Pagini: 208
Dimensiuni: 152 x 229 x 11 mm
Greutate: 0.29 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Contemporary Literature

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction.  Understanding Ellipsis as a Burst Full Stop  1. ‘She is no writer of the Gothic’: Exploding the criticism as origin  2. Fludd: Exploding the gothic as origin  3. Beyond Black: Exploding the body as origin  4. Giving Up the Ghost: Exploding the autobiography as origin  5. Eight Months on Ghazzah Street and A Change of Climate: Tracing the silence in Mantel’s corpus  6. Wolf Hall and Bring Up the Bodies: An Elliptical Reading  7. ‘There are no endings. They are all beginnings’: Giving up as gift  Bibliography

Notă biografică

Eileen Pollard is a Senior Lecturer in English Literature at the University of Chester, UK.

Recenzii

‘Pollard’s deft and lively handling of Mantel’s fiction in conversation with the thinking of Jacques Derrida and Jean Luc Nancy is a significant contribution to Mantel scholarship, one which offers the discerning reader a wealth of insights into one of our foremost novelists.’ -- Dr Lucy Arnold, University of Leeds

Descriere

This book provokes a re-engagement with Derrida’s thinking in contemporary literature, with emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length study of Mantel’s writing, not just in terms of Derrida’s thought, but through any critical lens.