Outrage: Art, Controversy, and Society
Editat de R. Howells, A. Ritivoi, J. Schachteren Limba Engleză Paperback – 2012
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 379.79 lei 43-57 zile | |
Palgrave Macmillan UK – 2012 | 379.79 lei 43-57 zile | |
Hardback (1) | 387.52 lei 43-57 zile | |
Palgrave Macmillan UK – 10 oct 2012 | 387.52 lei 43-57 zile |
Preț: 379.79 lei
Nou
Puncte Express: 570
Preț estimativ în valută:
72.68€ • 75.50$ • 60.37£
72.68€ • 75.50$ • 60.37£
Carte tipărită la comandă
Livrare economică 03-17 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781349346127
ISBN-10: 1349346128
Pagini: 331
Ilustrații: XVI, 331 p.
Dimensiuni: 140 x 216 mm
Greutate: 0.4 kg
Ediția:1st ed. 2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 1349346128
Pagini: 331
Ilustrații: XVI, 331 p.
Dimensiuni: 140 x 216 mm
Greutate: 0.4 kg
Ediția:1st ed. 2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
Cuprins
List of Tables and Figures Acknowledgments About the Contributors Introduction: A.Ritivoi , R.Howells & J.Schachter PART I: MAJOR THEMES, PREMISES, AND POSITIONS Controversy, Art, and Power; R.Howells A Primal Controversy: On the Destruction and Protection of Art in Western Culture; L.Burgess Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New York City Print Journalists; P.Cramer PART II: REPRESENTING A CONTESTED PAST Pieces from the Past: Contestation around Francoist Monuments in Modern-Day Spain; C.Ruiz The Nation's Cathedral: Public Art and Competing Memories in Post-Communist Romania; A.Ritivoi Citizenship and Public Art: Chicago's Millennium Park; F.Evans PART III: CENSORING AND SUBVERTING: THE ARTS AND POLITICS Underexposed: The Controversial Censorship of Photographs of US War Dead; J.Alinder Testimony and Theater: The Controversy of Truth Telling in Post-Apartheid South Africa and Post-Conflict Northern Ireland; J.Keating-Miller Tracing Controversy in East German Film; S.Brockmann PART IV: THE PAST AND THE FUTURE OF ARTS CONTROVERSIES Remediating Arts Controversy in the Nineteenth Century; J.Klancher 'Giacinto Scelsi c'est moi!'; F.Sciannameo Beauty and Danger: The Aestheticization of Information in Contemporary Art; M.Ragona PART V: THE FUTURE OF CONTROVERSIES Art Fights: The Persistence of Controversy in Modern Aesthetics; M.Chander The End of the Modern Art Controversy and the Many Controversies over Art; A.Funk Index
Notă biografică
RICHARD HOWELLS is Reader in Culture, Media and Creative Industries at King's College, London, UK, where he specialises in visual and popular culture. In 2004 he was Distinguished Visiting Professor at the Center for the Arts in Society at Carnegie Mellon University. His books include The Myth of the Titanic (1999 and 2012) and Visual Culture (2003 and 2012, also published in Chinese and Korean). He has published widely in journals in including Screen, Celebrity Studies, Word & Image, the European Review, and the Historical Journal of Film, Radio and Television.
ANDREEA DECIU RITIVOI is Associate Professor of English and Rhetoric at Carnegie Mellon University, USA. Between 2008–2011 she was co-director (with Judith Schachter) of the Controversy and Public Art project with the Center for Arts in Society at Carnegie Mellon University. Her publications include Yesterday's Self: Nostalgia and the Immigrant Identity (2002), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz (2003), Paul Ricoeur: Tradition and Innovation in Rhetorical Theory (2006), and many articles on narrative and identity,hermeneutics, and argumentation.
JUDITH SCHACHTER is Professor of Anthropology and History at Carnegie Mellon University, USA. Former Director of the Center for the Arts in Society, she conducted the 'Controversy Initiative' with Professor Andreea Ritivoi. Schachter's publications include: Ruth Benedict: Patterns of a Life, Kinship with Strangers: Adoption and Interpretations of Kinship, and Envisioning Homestead, with Charlee Brodsky. She was co-editor of Cultures In/Out of Time, a collection of essays on arts in society. In addition, she has published articles from her recent work on American imperialism in Hawaii.
ANDREEA DECIU RITIVOI is Associate Professor of English and Rhetoric at Carnegie Mellon University, USA. Between 2008–2011 she was co-director (with Judith Schachter) of the Controversy and Public Art project with the Center for Arts in Society at Carnegie Mellon University. Her publications include Yesterday's Self: Nostalgia and the Immigrant Identity (2002), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz (2003), Paul Ricoeur: Tradition and Innovation in Rhetorical Theory (2006), and many articles on narrative and identity,hermeneutics, and argumentation.
JUDITH SCHACHTER is Professor of Anthropology and History at Carnegie Mellon University, USA. Former Director of the Center for the Arts in Society, she conducted the 'Controversy Initiative' with Professor Andreea Ritivoi. Schachter's publications include: Ruth Benedict: Patterns of a Life, Kinship with Strangers: Adoption and Interpretations of Kinship, and Envisioning Homestead, with Charlee Brodsky. She was co-editor of Cultures In/Out of Time, a collection of essays on arts in society. In addition, she has published articles from her recent work on American imperialism in Hawaii.