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Over and Over: Exploring Repetition in Popular Music

Editat de Dr Olivier Julien, Christophe Levaux
en Limba Engleză Hardback – 21 feb 2018
From the Tin Pan Alley 32-bar form, through the cyclical forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music, repetition as both an aesthetic disposition and a formal property has stimulated a diverse range of genres and techniques. From the angles of musicology, psychology, sociology, and science and technology, Over and Over reassesses the complexity connected to notions of repetition in a variety of musical genres.The first edited volume on repetition in 20th- and 21st-century popular music, Over and Over explores the wide-ranging forms and use of repetition - from large repetitive structures to micro repetitions - in relation to both specific and large-scale issues and contexts. The book brings together a selection of original texts by leading authors in a field that is, as yet, little explored. Aimed at both specialists and neophytes, it sheds important new light on one of the fundamental phenomena of music of our times.
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Specificații

ISBN-13: 9781501324888
ISBN-10: 1501324888
Pagini: 208
Ilustrații: 39 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Ediția:Hardback
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

A collection of texts written by leading researchers on contemporary musicology on a variety of genres and topics through the lens of musical repetition

Notă biografică

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France.Christophe Levaux is a postdoctoral researcher at the University of Liège, Belgium.

Cuprins

List of Abbreviations and ContractionsList of Musical Examples, Figures, and TablesAcknowledgementsList of Contributors PrefaceAntoine Hennion (Centre de Sociologie de l'Innovation, France) Introduction: Play It Again (and Again), SamOlivier Julien (Paris-Sorbonne University, France) and Christophe Levaux (University of Liège, Belgium) Part I: Repetition as an aesthetic disposition1. When the Music stutters: Notes toward a SymptomatologyRobert Fink (University of California, Los Angeles, Herb Alpert School of Music, USA)2. Time and Time Again: Repetition and Difference in Repetitive MusicAnne Danielsen (University of Oslo, Norway)3. Towards an Alternative History of Repetitive Audio TechnologiesChristophe Levaux (University of Liège, Belgium) Part II: Issues of perception4. Loops, Memories and MeaningsChris Cutler (Independent Scholar)5. Machine Possession: Dancing to Repetitive BeatsHillegonda C. Rietveld (London South Bank University, UK)6. Repetition and Musical Meaning: Anaphonic Perspective in Connection with the Sonic Experience of Everyday LifeDanick Trottier (Université du Québec à Montréal, Canada) Part III: Repetition as a structuring device7. From "Sectional Refrains" to Repeated Verses: The Rise of the AABA FormOlivier Julien (Paris-Sorbonne University, France)8. Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular RepetitionKeith Salley (The Shenandoah Conservatory, USA) and Daniel T. Shanahan (Louisiana State University, USA)9. A Psychological Perspective on Repetition in Popular MusicTrevor de Clercq (Middle Tennessee State University, USA) and Elizabeth Hellmuth Margulis (University of Arkansas, USA) ReferencesIndex

Recenzii

A critically important work of outstanding collective scholarship . Very highly recommended for college and university library Musicology collections.
[Richard] Middleton's core assertion-that repetition is productive and creative, that it adds meaning and is worthy of analysis-guides a dizzying array of responses from the contributors.
The various contributors present convincing readings of their chosen areas of focus . On the whole this is a useful and much needed addition to the literature.
Scholars, students, and musical practitioners will welcome this fine collection, which brings together both luminaries and exciting newer voices to investigate repetition in popular music. Offering insights from a broad range of disciplines and methodologies, Over and Over will serve as an indispensable guide to understanding one of the most debated and misunderstood aspects of the art.
An important musicological collection that addresses repetition head-on . The editors are to be commended for opening (perhaps reopening) the debate on repetition, directing attention to this matter most intricate and integral to so much music.
A concise, provocative, and engaging collection of essays exploring one of the most pleasurable (and most maligned) characteristics of music. From stutters to loops, and compositional forms to cutting and pasting, the authors cover a range of approaches and perspectives to enrich our understanding of musical repetition.
What is repetition in music? A stutter. What is repetition in music? A technique. What is repetition in music? A changing same. What is repetition in music? A form, a necessity. What is repetition in music? A place to lose yourself, the world. What? What is - what is - repetition in music? Read over Over and Over, over and over, to find out.