Overwriting Chaos: Cultural Revolutions: Russia in the Twentieth Century
Autor Richard Tempesten Limba Engleză Paperback – 27 iul 2020
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Specificații
ISBN-13: 9781644694602
ISBN-10: 1644694603
Pagini: 750
Dimensiuni: 160 x 232 x 42 mm
Greutate: 1.03 kg
Editura: Academic Studies Press
Seria Cultural Revolutions: Russia in the Twentieth Century
ISBN-10: 1644694603
Pagini: 750
Dimensiuni: 160 x 232 x 42 mm
Greutate: 1.03 kg
Editura: Academic Studies Press
Seria Cultural Revolutions: Russia in the Twentieth Century
Cuprins
Acknowledgments
A Note on Translations and Transliterations
Preface
Timeline of Solzhenitsyn¿s Life and Works
Part One: The Writer In Situ
1. The Quilted Jerkin: Solzhenitsyn¿s Life and Art
2. Ice, Squared: ¿One Day in the Life of Ivan Denisovich¿
3. ¿Turgenev Never Knew¿: The Shorter Fictions of the 1950s and 1960s
4. Meteor Man: Love the Revolution
5. Helots and Heroes: In the First Circle
6. Rebel versus Rabble: Cancer Ward
Part Two: The Writer Ex Situ
7. Twilight of All the Russias: The Red Wheel
8. Return: The Shorter Fictions of the 1990s
9: Modernist?
Appendix. Three Interviews with Aleksandr Solzhenitsyn (2003¿7)
Notes
Selected Bibliography
Index
A Note on Translations and Transliterations
Preface
Timeline of Solzhenitsyn¿s Life and Works
Part One: The Writer In Situ
1. The Quilted Jerkin: Solzhenitsyn¿s Life and Art
2. Ice, Squared: ¿One Day in the Life of Ivan Denisovich¿
3. ¿Turgenev Never Knew¿: The Shorter Fictions of the 1950s and 1960s
4. Meteor Man: Love the Revolution
5. Helots and Heroes: In the First Circle
6. Rebel versus Rabble: Cancer Ward
Part Two: The Writer Ex Situ
7. Twilight of All the Russias: The Red Wheel
8. Return: The Shorter Fictions of the 1990s
9: Modernist?
Appendix. Three Interviews with Aleksandr Solzhenitsyn (2003¿7)
Notes
Selected Bibliography
Index
Descriere
Examines Aleksandr Solzhenitsyn's evolution as a literary artist from his early autobiographical novel Love the Revolution to the experimental The Red Wheel, and beyond. Richard Tempest shows how Solzhenitsyn gives his characters a presence so textured that we can readily imagine them as figures of flesh and blood and thought and feeling.