Ovid on Cosmetics: Medicamina Faciei Femineae and Related Texts
Autor Marguerite Johnsonen Limba Engleză Hardback – 27 ian 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 178.22 lei 6-8 săpt. | |
Bloomsbury Publishing – 27 ian 2016 | 178.22 lei 6-8 săpt. | |
Hardback (1) | 567.75 lei 6-8 săpt. | |
Bloomsbury Publishing – 27 ian 2016 | 567.75 lei 6-8 săpt. |
Preț: 567.75 lei
Preț vechi: 725.83 lei
-22% Nou
Puncte Express: 852
Preț estimativ în valută:
108.69€ • 112.98$ • 90.12£
108.69€ • 112.98$ • 90.12£
Carte tipărită la comandă
Livrare economică 07-21 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781472514424
ISBN-10: 1472514424
Pagini: 192
Ilustrații: 11 bw illus.
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1472514424
Pagini: 192
Ilustrații: 11 bw illus.
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
A new parallel text translation of Ovid's Medicamina Faciei Feminieae with a detailed analysis
Notă biografică
Marguerite Johnson is Senior Lecturer in the School of Humanities and Social Sciences, University of Newcastle, Australia. She is the co-author (with Terry Ryan) of Sexuality in Greek and Roman Society and Literature: A Sourcebook (2005), author of Sappho in this series (2006), and co-editor (with Harold Tarrant) of Alcibiades and the Socratic Lover-Educator, also published by Bristol Classical Press (2012). Terry Ryan is senior researcher for the 21st Century Learning Initiative. After receiving his Masters Degree in political economy in 1994, he worked with educational reformers and students in Poland, and co-authored a book on Polish history, The Shadows of the Past (2000), with former Solidarity leader Wiktor Kulerski. Ryan lives in Virginia, USA, with his wife and baby daughter.
Cuprins
IntroductionMedicamina Faciei Femineae: Latin text and translationCommentarySelected passages from Ars Amatoria and Amores: Latin text and translationCommentarySelect BibliographyIndex
Recenzii
Johnson has achieved an admirable feat by bringing together such a varied collection of primary and secondary materials in a clear and approachable way. This book will provide a very useful point of entry for any reader interested in understanding ancient attitudes towards and knowledge about cosmetics, cosmeceuticals, and beautification practices in general.
[This book] brings together the Latin text and a clear English translation with a thorough introduction and a truly insightful commentary ... [A]n invaluable contribution to Ovidian scholarship ... [and] a worthwhile read.
This slim volume precisely fulfils the task it sets itself in the subtitle ... This is certainly the book to come to if you want to find out about the evidence for hair-curling irons, popular fabric colours or where to buy a wig in ancient Rome.
Easy to follow and at the same time full of detail, there is something in this book for a wide range of readers.
Johnson's important book is a scholarly dissection of Ovid's writings on personal appearance. She walks us splendidly through the details of hair, cosmetics and cosmeceuticals, jewelry, and clothing in Roman antiquity, and adds some modern resources into the mix as well. A fascinating, wide-ranging, and readable book.
Marguerite Johnson's welcome book conveniently brings together Ovid's discussions of female cosmetics and beauty treatments in his eroto-didactic poetry, including the surviving hundred lines of his treatise on Cosmetic Treatments for the Female Face. This fascinating volume, with helpful illustrations, will interest all students of women, sex and gender in classical antiquity, as well as historians of botany, medicine and science.
Marguerite Johnson now presents a classicist's perspective, and her volume will both increase the Medicamina's visibility and help readers approach and appreciate the poem . Johnson's book is an accessible an well-researched addition to Ovidian studies . A useful new resource that provides a fresh foundation to studying Ovid not only as cosmopolitan praeceptor amoris, but also praeceptor cultis, with all the humorous undertones, elegant contours, and historical highlights that entails.
[This book] brings together the Latin text and a clear English translation with a thorough introduction and a truly insightful commentary ... [A]n invaluable contribution to Ovidian scholarship ... [and] a worthwhile read.
This slim volume precisely fulfils the task it sets itself in the subtitle ... This is certainly the book to come to if you want to find out about the evidence for hair-curling irons, popular fabric colours or where to buy a wig in ancient Rome.
Easy to follow and at the same time full of detail, there is something in this book for a wide range of readers.
Johnson's important book is a scholarly dissection of Ovid's writings on personal appearance. She walks us splendidly through the details of hair, cosmetics and cosmeceuticals, jewelry, and clothing in Roman antiquity, and adds some modern resources into the mix as well. A fascinating, wide-ranging, and readable book.
Marguerite Johnson's welcome book conveniently brings together Ovid's discussions of female cosmetics and beauty treatments in his eroto-didactic poetry, including the surviving hundred lines of his treatise on Cosmetic Treatments for the Female Face. This fascinating volume, with helpful illustrations, will interest all students of women, sex and gender in classical antiquity, as well as historians of botany, medicine and science.
Marguerite Johnson now presents a classicist's perspective, and her volume will both increase the Medicamina's visibility and help readers approach and appreciate the poem . Johnson's book is an accessible an well-researched addition to Ovidian studies . A useful new resource that provides a fresh foundation to studying Ovid not only as cosmopolitan praeceptor amoris, but also praeceptor cultis, with all the humorous undertones, elegant contours, and historical highlights that entails.