Owed
Autor Joshua Bennetten Limba Engleză Paperback – 3 sep 2020
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Paperback (2) | 46.46 lei 3-5 săpt. | +20.96 lei 6-10 zile |
Bloomsbury Publishing – 8 noi 2023 | 46.46 lei 3-5 săpt. | +20.96 lei 6-10 zile |
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Specificații
ISBN-13: 9780143133858
ISBN-10: 0143133853
Pagini: 96
Dimensiuni: 152 x 229 x 9 mm
Greutate: 0.11 kg
Editura: Penguin Random House Group
Colecția Penguin Books (usa)
Locul publicării:United States
ISBN-10: 0143133853
Pagini: 96
Dimensiuni: 152 x 229 x 9 mm
Greutate: 0.11 kg
Editura: Penguin Random House Group
Colecția Penguin Books (usa)
Locul publicării:United States
Descriere
A poetry collection that shines a light on forgotten parts of the past in order to reconstruct a deeper, truer vision of the present.
Caracteristici
For his second collection, poet and scholar Joshua Bennett gives thanks by means of a series of intimate dispatches to loved ones, places, and even physical objects which have formed and informed his being-in-the-world
Notă biografică
Dr. Joshua Bennett is the author of The Sobbing School (Penguin, 2016) - which was a National Poetry Series selection and a finalist for an NAACP Image Award. He is also the author of Being Property Once Myself (Harvard University Press, 2020), Owed (Penguin, 2020), The Study of Human Life (Penguin, 2022) and Spoken Word: A Cultural History, which is forthcoming from Knopf. He has received fellowships and awards from the Guggenheim Foundation, the Whiting Foundation, the National Endowment for the Arts, and the Society of Fellows at Harvard University. He is a Professor of English at Dartmouth College.
Recenzii
Bennett captures the beauty of what really matters in life - the memories, youth sports, family traditions and little moments that many of us take for granted ... [Owed] couldn't have been more timely
Odes to intimacy and his African-American community ... Bennett has a sharp turn of phrase, too
Themes of praise and debt pervade this rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the US ... Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic, and boldly stakes claim to 'some living, future / English, & everyone in it / is immortal'
We're lucky to have Joshua Bennett's Owed at this hour in America. The resonances of 'ode' and 'owed' underscore his tremendous acts of invention amid 'an ever-expanding grand Black Epilogue.' Lyrical and political fibers are woven through narratives as clear and idiosyncratic as the plastic on your grandmother's couch. Owed fights for the 'ground where the children can play & come home whole.' Bennett swings with song and exaltation; he swings with resistance and defense. I'm glad to have his amazing collection right now. I will be glad to have it tomorrow
Owed is an indictment of the state even as it is an ode to the ongoingness of Black imagination. Here, a single moment shimmers with a million resonances of attention. So the world is loved this much. And what has been taken has been taken this much. Bennett insists on repair even as he mourns what is utterly irreparable. This book is part of a breathful, bodied fight for Black life. I am emboldened and sharpened by Bennett's genius and by his love made plain across each of these shimmering pages
Astonishing poems that explore the past, childhood, family relationships, identity, and memory among many other themes, all expertly rendered through a mixture of forms ... Bennett has a gift for building and setting vivid scenes and complex stories within the small frames of his stanzas
Owed intertwines the author's multifaceted professions as poet, performer, and professor through powerful, crisp poems that celebrate the complexity, joy, and heartbreak of the Black experience in America ... Bennett's poems are more necessary than ever
Odes to intimacy and his African-American community ... Bennett has a sharp turn of phrase, too
Themes of praise and debt pervade this rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the US ... Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic, and boldly stakes claim to 'some living, future / English, & everyone in it / is immortal'
We're lucky to have Joshua Bennett's Owed at this hour in America. The resonances of 'ode' and 'owed' underscore his tremendous acts of invention amid 'an ever-expanding grand Black Epilogue.' Lyrical and political fibers are woven through narratives as clear and idiosyncratic as the plastic on your grandmother's couch. Owed fights for the 'ground where the children can play & come home whole.' Bennett swings with song and exaltation; he swings with resistance and defense. I'm glad to have his amazing collection right now. I will be glad to have it tomorrow
Owed is an indictment of the state even as it is an ode to the ongoingness of Black imagination. Here, a single moment shimmers with a million resonances of attention. So the world is loved this much. And what has been taken has been taken this much. Bennett insists on repair even as he mourns what is utterly irreparable. This book is part of a breathful, bodied fight for Black life. I am emboldened and sharpened by Bennett's genius and by his love made plain across each of these shimmering pages
Astonishing poems that explore the past, childhood, family relationships, identity, and memory among many other themes, all expertly rendered through a mixture of forms ... Bennett has a gift for building and setting vivid scenes and complex stories within the small frames of his stanzas
Owed intertwines the author's multifaceted professions as poet, performer, and professor through powerful, crisp poems that celebrate the complexity, joy, and heartbreak of the Black experience in America ... Bennett's poems are more necessary than ever